Quotes of All Topics . Occasions . Authors
Substance should outweigh perfection.
Rudeness is something I just can't tolerate.
It's important not to be afraid ego-wise to share your information.
Don't judge your success by other peoples opinions. Have self belief.
The record producer is the music world's equivalent of a film director.
I gotta think that one that becomes a philosophy of work, which is "no excuses."
I like to be in the laboratory with the doors closed. I like experimenting and trying things.
If you love music and you are good in it, you will be fine. But be prepared to have to work hard.
Making music is a wonderful way to spend your life, but do it for the love before a career. Enjoy it.
There's a lot about New York that is unique, and there's always a culture and a subculture going on everywhere.
Let's get this out in the open once and for all. Here is how I feel about compression... Compression is for kids!!!!
I think I just liked the idea that I could make something, that I could communicate some sort of idea through music.
Electronic music is really weird right, because it is bleeding into the mainstream, but, at the same time, it's fashion.
If you follow anything that I've ever done, I never stick to one thing more than one year. I'm just afraid to get typecast.
Every console, I don't give a damn if it's analog or digital-hell, every mixing situation today-is the brainchild of Bill Putnam.
When I make my own music, there is no external producer. I just do everything as quickly as possible. I try not to overthink things.
Musicians are like politicians. They're the last people who should be making music, just like politicians are the last people who should be running things.
I would rather do things that I really love with people that I love working with, and to be able to extend that and go and play, it's great. I feel very fortunate.
The biggest shock of your life is when you first make a record and go to a show and then people start singing the words. Because it occurs to you that they've listened to it!
If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.
When you get to know an artist, you find out the things that have peeved them over the years, and it's generally the stuff that has to do with somebody not wanting to do things their way in the studio.
Roger Waters isn't a "great" singer but he's always able to communicate this intense desperation. At times he's not even singing, but shouting. There's no melody and his shouting isn't even in key with the song.
I started playing the violin at age 3, and I was very fortunate because there were people who heard me who were influential in getting me auditions. By the time I was 7, I was playing concerts - it was just ridiculous.
I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am.
Don't speak if you don't have to about trivia. The time for joking comes because of the trust, and you have to earn the trust. So, I don't alibi for anything, and I'll take the heat. That's the other thing. Don't let them take the heat. We take the heat.
Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
When somebody brings me a record to mix, usually they feel like they can only get it so far with who they were working with or with themselves, and they just want somebody with fresh ears to take it to the next level. I just try to have a candid, open conversation with them about each song before we start working on it.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends.
The only thing I say I consciously do is I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
I feel just as creative focusing on just the sounds and getting the photographic representation of where the sounds should be. But it's all the same bag of bones for me. It's hard for me to compartmentalize production and engineering, and that's why I can't produce things unless I'm also recording. It's very tactile. I need my hands in the dirt.
Enya never writes a bad melody. That's first and foremost her secret. As she goes along, she'll start changing the dynamics, pushing here and there so that not everything is perfectly in unison. It adds a texture you can acquire only from having different voices. The variations lead to interesting quirks. It's an integral part of the Enya sound.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Enjoy it - making music is a wonderful way to spend your life.. but do it for the love before a career... it's getting so unforgiving out there - I hate to think of the obstacles in the way now for new artists.. if you love it and you are good, you will be fine.. but be prepared to have to work hard and don't judge your success by other peoples opinions.. have self belief.
I can pinpoint the moment when my first band recorded, when I was 14 and 15 years old. I always enjoyed writing songs and playing, but there was something about going in and capturing it that felt very Zen and perfect for me. A light switch went on and I just realized that's where my musical capacity was the most suited. I just followed on blind faith that that was like a calling for me.
I think I can pinpoint the moment when my first band recorded, when I was 14 and 15 years old. I always enjoyed writing songs and playing, but there was something about going in and capturing it that felt very Zen and perfect for me. A light switch went on and I just realized that's where my musical capacity was the most suited. I just followed on blind faith that that was like a calling for me.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
I think I'm better at producing than I am at being a songwriter, but it doesn't change the fact that I still have a desire to play and write songs. I've never wanted to be a career musician. But I still love to play and write. It's a big part of who I am. Songwriting is not particularly easy for me. I think it would be easy for me if I didn't have such high restrictions and feelings about what I want my music to be. I'm not precious at all when it comes to producing music and I can bring that to an artist and let them expand their horizons.
To me, the producer is there to make sure the album gets done and gets done as good as possible. So if that means that you have to help write a bridge or help write a part, that's what you do. If that means you help tune the guitars, then that's what you do. If that means all you do is tell the band their takes are good and they should stop f——— with things, then that's what you do. If it means you don't do anything except make sure the band doesn't fight, then that's what you do. Sometimes it's a little more stressful than others, but for the most part, you just don't complain about it and you just get it done.