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  • The documentary we are working on is about my mother, Bev Umehara, for whom our film company, Bev's Girl Films, is named after. It is a passion project that I have wanted to make since her unexpected passing in 1999. The film is about my mother's calling which came late in life, at 47, when she made the sudden transformation from a humble hardworking secretary and mother of four, into a labor activist, a respected union leader, and a role model for rank-and-file workers, women of color, and for all Asian Pacific Americans.

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The documentary we are working on is about my mother, Bev Umehara, for whom our film company, Bev's Girl Films, is named after. It is a passion project that I have wanted to make since her unexpected passing in 1999. The film is about my mother's calling which came late in life, at 47, when she made the sudden transformation from a humble hardworking secretary and mother of four, into a labor activist, a respected union leader, and a role model for rank-and-file workers, women of color, and for all Asian Pacific Americans.

Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.

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