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  • At halftime [of Game 7], one of our oldest guys on the team, James Jones, came to me, and he's like, "Man, it's time for you to do something. You've been sleeping the whole playoffs, the whole final series." First couple of shots I got coming out, I was like, "You know what, I'm gonna shoot it." Fortunately they fell, and we started making our way back.

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At halftime [of Game 7], one of our oldest guys on the team, James Jones, came to me, and he's like, "Man, it's time for you to do something. You've been sleeping the whole playoffs, the whole final series." First couple of shots I got coming out, I was like, "You know what, I'm gonna shoot it." Fortunately they fell, and we started making our way back.

I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
When I was a kid, I used to live in New York City. There was a guy named Michael Alig. He used to throw parties. And a couple of times, I even worked for him and his crew, and handed out fliers, and had my super-high shoes on, and wearing silver Saran Wrap around my head or something. It's a world I was really comfortable in: a world full of individuals. I think what I like about that world - besides my own personal interests - is the individualism, the investment in the self.

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