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  • For several years I've been writing 100-word pieces. More recently I've been putting them together in groups of two and three. I don't see them as sequences, but rather as companion pieces, the way that diptychs often work. The idea comes originally from the paintings of Michael Venezia who places blocks of painted wood next to each other. Proximity is a godsend. The quote is from Wallace Stevens.

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For several years I've been writing 100-word pieces. More recently I've been putting them together in groups of two and three. I don't see them as sequences, but rather as companion pieces, the way that diptychs often work. The idea comes originally from the paintings of Michael Venezia who places blocks of painted wood next to each other. Proximity is a godsend. The quote is from Wallace Stevens.

I paused for a light at Hamilton and TWlfth and noticed the Nissan was running rough at idle. Two blocks later it backfired and stalled. I coaxed it into the center of the city. Ffft, ffft, ffft, KAPOW! Ffft, ffft, ffft, KAPOW! A Trans Am pulled up next to me at a light. The Trans Am was filled with high school kids. One of them stuck his head out of the passenger-side window. "Hey lady," he said. "Sounds like you got a fartmobile." I flipped him an Italian goodwill gesture and pulled the ball cap low on my forehead. (Three to get Deadly)

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