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  • Let's not be afraid of the use of color. Let's not be afraid of crazy art style. Let's not be afraid of the fantastical stuff, and I promise you we can make something that feels like an awesome shooter that you can market to the world, but that is awesome because it commits to what it is.

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Let's not be afraid of the use of color. Let's not be afraid of crazy art style. Let's not be afraid of the fantastical stuff, and I promise you we can make something that feels like an awesome shooter that you can market to the world, but that is awesome because it commits to what it is.

I am a super nostalgic person in general. I think part of the reason that I'm in the film business is because, to me, when I was trying to figure out what I wanted to do, it seemed like the most appropriate career I could have where I knew I wouldn't have to kill the little kid in me. I get to play around, and that's amazing. There's a quote from Bill Watterson, the creator of Calvin and Hobbes that I always found really interesting. He said, "Anyone who is nostalgic about their childhood never had one." And I always found it fascinating.
We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined.

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