Josephine Meckseper Quote: "Despite all the unresolved deep-seated problems, ..."

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Despite all the unresolved deep-seated problems, the U.S. is still a country where it's less important where you come from than what you do. But after 18 years of living here, I still have a German passport, a soft spot for the avant-garde and constructivists, and a heavy accent.
Josephine Meckseper /
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Despite all the unresolved deep-seated problems, the U.S. is still a country where it's less important where you come from than what you do. But after 18 years of living here, I still have a German passport, a soft spot for the avant-garde and constructivists, and a heavy accent.
⇛ Josephine Meckseper ()

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The least-challenging way to make art for me would be to reinforce decorative formalism or find a way to extend entertainment values. Humor can sometimes be the only way out of this intolerable dilemma. And if that doesn't work, arson.

Josephine Meckseper

I'm interested in dissecting the manipulative qualities that always come when you combine sound with images. We have seen this exploited to various degrees of shamelessness in recent history, and the way this works needs to be exposed.

Josephine Meckseper

I like the boundaryless potential you get when you make work for a context that is open to interpretation. Thinking about an art context is too claustrophobic, though. I always hope that at least half my audience is not directly related to the art world. I use art as a balancing act. It's a good way of avoiding everyday chores and social obligations.

Josephine Meckseper

The vitrines and shelves that I make, the objects displayed can be easily exchanged. This is a key to the work-the objects are mere signs of capitalism. The reason for their existence is in anticipation of their own destruction. They are meant to trigger a resemblance to the way store windows appear just before they are smashed by demonstrators. They represent targets for potential violence.

Josephine Meckseper

What this country needs is a credit card for charging things to experience.

Tom Wilson Record Producer

America has always been the most fertile ground for models - and they were always exported to other countries. When Eastern Europe opened up its doors to the rest of the world, a lot of the girls that were basically working there for $1 a month realized that if they were beautiful and that they could go to Paris and work for $1,000 a day versus the $10,000 that the other girls were demanding. So it created a huge imbalance in the financial structure of how clients could budget out campaigns. The market became flooded.