Ottmar Liebert Quote: "When I came to the States, I still wanted to be ..."

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When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
Ottmar Liebert / Guitarist
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When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
⇛ Ottmar Liebert (Guitarist)

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There was a show in Germany called Beat Club, and they had a lot of bands playing live. And I had this master plan, at 11 years old, I wanted to play electric guitar, but I knew... We lived in a small apartment, there was no way that was going to happen. I told my parents I wanted a classical guitar and I wanted to start studying classical guitar. So then a few years later, I think around 16 or so, I started playing electric. But that was my, my plan as an 11 year old. I thought I was so crafty.

Ottmar Liebert Guitarist

I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.

Ottmar Liebert Guitarist

You grow the fastest by getting... adopting ideas and technologies from other cultures. And that has been proven in history, time and time again. Whether you go back to the ancient Persians, or the Romans, or the Ottomans. It's how a culture grows, by incorporating other ideas and going, wow, how did they do this? Oh, I bet you this works with this, and then you can improve it again. So I think any culture that sort of says, no no no, it's just us, nobody gets in anymore, it's the beginning of atrophy, and the rest of the world will just pass you.

Ottmar Liebert Guitarist

Flamenco is Arabic music and rhythms filtered through centuries of gypsies making music. The gypsies themselves came originally from India. And then there is the Caribbean influences... This whole idea that there is any such thing in music that "purity" is bunk, it just doesn't exist. I love that I am playing these rhythms to people. And the next time they hear something that's maybe a little more exotic, I have created a little bridge, and they are going, "Oh, this actually sounds really cool. It reminds me a little bit of that, but it's something different."

Ottmar Liebert Guitarist

I grew up in a dictatorship, where you couldn't talk about difficult situations - there was this culture of silence. We would run into a problem and have no one to talk to.

Julia Alvarez Poet

We have not invaded anyone. We have not conquered anyone. We have not grabbed their land, their culture, their history and tried to enforce our way of life on them.