No one can penetrate me. They only see what's in their own fancy, always.

I've always made my decisions based on two factors: intellectual analysis and my gut. And when they meet, that's a go from me. That's when I see the goal.

The French league is clearly developing. It is really pleasing to see. Paris, for me, is above everyone else in France. When they come for you, it is always attractive.

Me and my friends made a group called 1400 and the number always stuck with me. I always see it everywhere I go. There's an angel behind the number, it's an angelic number.

Coming from Mumbai, the one thing that always amazes me about Noida is the roads here. Such wide roads are something you don't get to see in Mumbai. Driving around here is surely a pleasure.

I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'

No one's ever really cared about me being bisexual, and I only came out because I had always been out; it's just the general public didn't know. I'm quite fearless. I'm like, 'Let's just go out there and do this and see what happens.'

I was always drawn to the blues. Alberta Hunter at the Cookery was a life-changing experience. I only wanted to get enriched as a performer as I got older, to have an audience which got older, too, and would come to see me when I'm 80.

My uncles are always busy away acting, so I barely even see them much at all, but I always know that they are so supportive. Anytime I do see them, they always check up on it and make sure everything's okay and let me know that they're there for me.

I've always been very interested in the question of how computation can fundamentally advance the things that we can see. This led me to have a fascination with medical imaging, especially things like MRI and scanning, and eventually computer graphics.

If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!'

'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.

When you think Tink, you should just think of me as that around-the-way girl - relatable and honest. Even in my lifestyle, my entire aura is real. I don't sugarcoat anything, whether I'm on stage or home in Chicago or just behind the scenes just chilling. I'm the same person you see on stage, always.

Share This Page