I've been traveling the world and experiencing different places, and you always discover new things.

There is always something new. But to be honest, if I was to score a goal in a World Cup, I don't know what I would do.

I've always been interested in those Orwellian dystopian novels, like 'Fahrenheit 451,' 'Brave New World,' and obviously Orwell's '1984.'

I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'

I've always been into 1939 and the New York World's Fair. And I lived on 39th Street and on the 39th floor. Once you pick a number that means something to you, then you notice it everywhere.

American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World.

I was pretty new to the Broadway world once I began working in it. I hadn't really grown up being too aware of that many shows or that many actors in shows. I was always obsessed with Judy Garland, though.

Watching 'Doctor Who' in the United States meant I was always behind the times - PBS didn't get new episodes until two years after they ran, and I was aware of the show's cancellation before the characters themselves knew, at least in my corner of the world.

I think the indie-rock world is very creative. They're always looking for something new, and I think of all the instruments we have in the world, the ones that are the most creative and interesting are the electronic ones. There are so many sounds and plug-ins you can use.

Houston is my team, always and forever. But with the new TV packages, it's so easy to watch every league in the world, and my overseas fandom is driven by the American guys. If Sunderland's on TV, I'll watch Jozy Altidore. I try to watch Geoff Cameron at Stoke. When Clint Dempsey was at Tottenham, I watched a lot of his games.

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