If I take care of my character, my reputation will take care of me.

You will not find me repeating a character or carrying similar mannerism in different films.

I don't think I will do a Mafia character again. I want to get away from the violence a little bit, because it is starting to bother me personally.

For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe it's because I talk too much!

If the character is really well-rounded, and it's a really strong character, and if the writing is just fantastic, that's the thing that will hook me in, certainly.

Poindexter was a part that's in the children's theater side of me, that character actor side of me. It's probably my favorite role because nobody will let me play that anymore.

I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.

The fundamentals for me are character and conflict. I put character first because readers will be indifferent to conflict if they are indifferent to the character who is experiencing it.

When I first heard the script of 'Brishti Brishti,' I was really excited. The film will require me to break away from the typical Ravi Kishan mould. Getting under the skin of my character will be a big challenge.

Honestly, I get character ideas from the most inane places. Sometimes a song will give me an idea. Sometimes I will just hear a snippet of conversation that ends up having nothing to do with the book that emerges.

As I write each new Thorne novel, I'm determined that whatever is happening plot-wise, a new layer of the onion will be peeled away and reveal something about Thorne that is surprising to me as much as anyone else. If I can remain interested in the character, then hopefully the reader will stay interested, too.

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