It's a character that I always found really likable. I'm fond of Zorro because he was a popular figure who worked for the people.

The interesting thing is, when you play a real-life character or someone based in a book, you always come up against people's preconceptions of what they have in their heads.

Some of my characters are drawn from people I know whereas others are an amalgamation of people or one specific person. Sometimes a character is simply fictional. It is always a mix.

It's always exciting to create a character that people can relate to, where people are like, 'Oh, I know this dude,' but maybe you've never actually seen this type of character on TV.

I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.

'My character wouldn't do that.' That was always my favorite thing people say: 'My character wouldn't do that.' I said, 'Well, it says right here in this script your character does that.'

I really was a fan of his and always have been - his writing especially, you know? I think people a lot of times overlook that part, because he kind of got into that party character so heavy.

I guess a lot of people don't realise, but I'm always playing a character when I'm working. When you're always having people's images projected on you, who 'Daria' is as a person sort of disappears.

Before I accept a job, I always talk to folks about it. 'Why does he kill these 22 people?' If they say, 'What difference does it make?' I know we have nothing more to talk about. A character has to be three-dimensional.

Share This Page