Quotes of All Topics . Occasions . Authors
'Carrie Diaries' was one of the scripts that was sent my way, and it was instantly something I wanted to work on. It was very charming, and there's a lot of heart to it. It was touching and nostalgic and relatable, and it validates so many coming-of-age issues in an open and honest way. I think it speaks to real life.
I love kids that come to shows, little kids coming up to you with braces; like, some kid came up to me in a parking lot outside a show in Santa Cruz - he was about 14 or 15 - and he said, 'Y'know, I love 'The Basketball Diaries,' but I hope your next book of poetry isn't gonna be as academic as 'Living at the Movies' was.'
One day, I was at my grandmother's house, and I found diaries that she kept as a young girl. I opened one to a page that had flowers glued inside. In her childish handwriting, my grandmother wrote, 'Pap died today. I am very sad.' The fact that this was true and that I could see the withered flowers made a huge impression on me.
I was in San Francisco for 'Trauma' and then got back to town and got situated and started looking at things and passing on things. I think I was around for a month and a half, and there were other projects that were up, but it's all a waiting game. And then, 'The Vampire Diaries' came up, and I was really interested and read for it.
Because I was such a student of pop culture growing up, I love that on the list of things that I got to work on in my first years out of college were 'Scream' and 'Dawson's Creek' and, ultimately now, 'The Vampire Diaries,' which generations below me grew up on and can quote. I love that. I think that is the coolest thing in the world.
For a blink of an eye, there was so much media glare. It was unexpected, and I don't think we realized the magnitude of the message we were imparting with 'The Nanny Diaries.' There was also this added challenge that some of the media power players whose publications were doing stories on us perceived us to be sniping at their lifestyles.
(from John Hay's diary) “The President never appeared to better advantage in the world,” Hay proudly noted in his diary. “Though He knows how immense is the danger to himself from the unreasoning anger of that committee, he never cringed to them for an instant. He stood where he thought he was right and crushed them with his candid logic.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
Being on 'The Vampire Diaries' feels almost like a game you play when you're a kid. When I was a kid, I used to have to take the garbage out at night on Wednesdays. I lived out in the country. I'd take the garbage out, and I used to pretend that I was the only person in the whole world, except for one other person, and he was looking for me.
When I was 16 I started keeping a diary in which I recorded my disagreements with the famous philosophers. I didn't insist that they were wrong, that I was right and I had to prevail. I just agreed and disagreed with them. I thought there was a high degree of probability that I was right and some other thinkers were wrong. But I wasn't positive about it.
If anything, I've found nonfiction a little easier. You don't have to make anything up. Of course, that's the inherent difficulty as well: when you hit an information black hole, you don't get to make it up. That hasn't come up too often with this project though. I'm lucky to have tons of primary source material , reams of letters and diaries and memoirs.
Photographs are diary entries That's all they can be. Photographs are just documentations of a day's event. At the same time, they drag the past into the present and also continue into the future. A day's occurrence evokes both the past and the future. That's why I want to clearly date my pictures. It's actually frustrating, that's why I now photograph the future
I suppose in our contemporary lives, our cumulative e-mails might constitute a kind of diary: that informal, moment-by-moment description of life as it goes by. . As I think of those notes now - what I wrote, what I said - it seems to me they danced across the surface just as my grandmother's diaries did - Anais Nin she wasn't, and I wasn't, either. Who is? Not even Anais Nin.
Anyway, yes, telephones but not mobile phones, fish and chips still wrapped in actual newspaper and still with some kind of flavour, people visiting each other without having to consult their appointment diaries, not being able to record anything from the television; if you missed it you missed it - these were all the kinds of thing that made up the normality of the seventies.
I'm the one not caring. I'm the one pretending the Earth isn't shattering all around me because I don't want it to be. I don't want to know there was an earthquake in Missouri. I don't want to know the Midwest can die, also, that what's going on isn't just tides and tsunamis. I don't want to have any more to be afraid of. I didn't start this diary for it to be a record of death.
There are times I'm completely uncomfortable with my works being performed publicly, and I haven't attended certain concerts because the prospect is akin to having a diary read on stage. But there are also situations - whether with an audience of one, or many - where the concert experience can be deeply special, and those experiences are often unpredictable, and wonderful when they occur.
