Dramas are incredibly compelling. I feel like 'Silver Linings Playbook' is a drama, but because it's funny, people market it as a comedy.

When you have an entire amphitheatre of people laughing that way, it makes you feel so funny and it frees you to go further than you probably would.

I always feel a little funny being in front of a lot of people trying to show them my approach to the ukulele, but I do enjoy it. I do get a little more nervous doing workshops rather than performing.

Being a funny person does an awful lot of things to you. You feel that you mustn't get serious with people. They don't expect it from you, and they don't want to see it. You're not entitled to be serious, you're a clown.

If you're a comedian, it's a bit of a choice whether or not you want to be funny when you're not performing because it might feel disingenuous. In the same way, I don't show people magic tricks in social situations any more.

On 'Workaholics,' I feel like I'm just hanging out with my buddies being filmed, but on 'Mindy,' I'm around professional funny people who act. Guys like Chris Messina, who are the real deal. I watch what they do and put my own spin on it.

'Funny Games' was conceived as a provocation. My other films are different. If people feel my other films are, or respond to them as provocation, then that's quite different. 'Funny Games' is the only one of mine where my intention was to provoke the audience.

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