I used to rejuvenate in 'Hee Haw.'

'Hee Haw' was a huge influence on me.

'Hee Haw' was a concept that nobody (including myself) thought would ever succeed.

I did an album called 'I'm So Lonesome I Could Cry.' I sang the song on 'Hee Haw.'

I've told everyone that I grew old on 'Hee Haw,' but I could've grown old without it.

Businessmen and corporate men watch 'Hee Haw.' With that kind of audience, how can they take it off?

I'm slow by nature; even if I write something fast, I'll let it sit for a month and hem and haw over it.

A lot of the big stars of today got their beginnings and their first network and national exposure from 'Hee Haw.'

I loved TV, and I watched anything with music - 'Hee Haw,' 'Happy Days,' anything like that. So I loved the Monkees.

What I loved about country music when I was a kid was the Grand Ole Opry, was 'Hee Haw,' was 360 degrees of entertainment.

Joining 'Hee Haw' was one of of the best moves I ever made. Until then I had no television exposure except the talk shows.

I used to love watching 'Hee Haw' on TV when I was a kid. My brothers and sisters weren't happy about it, but I just loved the music.

The only thing that kept us from going bigger worldwide was the language barrier. All the corn that we did on 'Hee Haw,' it was hard to translate into their slang.

Hee Haw was probably my biggest exposure to live music at a young age, because there wasn't any live music around my town and no one in my family played instruments.

I think, basically, we didn't hurt anyone. We were out there having a good time. You can go and get educated, but you can come to 'Hee Haw' and get another education.

The show changed my life in so many remarkable ways. Now in my 82nd year, I have been blessed with a wonderful 67-year career with 'Hee Haw' as the icing on the cake.

I had that upbringing. Of watching 'Bonanza,' watching 'Hee Haw,' which both black and white would watch. I rode horses. I did gun spinning as a kid. I do these things.

My first car was a '63 Chevy station wagon that I called Ramona, because that's the sound it made. 'Farm Use' was painted on the back. It was right off the set of 'Hee Haw.'

First and foremost, I am most proud of how 'Hee Haw' did its part to help pave the way for country music to burst from its regional roots to remarkable worldwide popularity.

I was like, 'Man, bluegrass - that's like Roy Clark playing banjo on 'Hee Haw.' I'm a huge 'Hee Haw' fan. But I didn't know about bluegrass. It seemed like old people's music.

It's a hindrance in trying to get a serious acting role. The minute a producer has a script and my name comes up, they immediately think of 'Playboy,' 'Hee Haw,' 'Fantasy Island' and 'Love Boat.'

I enjoyed the Hee Haw people, but from 1980 on I didn't enjoy it and thought about leavin', and thought, hell, it's an easy job and pays wonderful. I kinda just prostituted myself for their money.

'Hee Haw' began about the same time as 'Laugh-In,' but the difference was that the material on 'Laugh-In' was more sophisticated: people looked out windows. On 'Hee Haw,' they look out of cornfields.

I was always very grateful to 'em and am grateful to 'em now. I went back a couple of years ago and did their 20th anniversary show. But the longer I stayed on Hee Haw, the worse things got for me musically.

Somebody says, 'Do a Tom Bodett, a folksy kind of thing,' and it sounds like something out of 'Hee Haw,' very insulting. They turn wry humor into disparaging sarcasm, and you get what amounts to insulting advertising.

It takes me about two hours to run into Target. People always want a picture. They hem and haw, and they can't spit the words out, so they waste about five minutes of my time just standing there getting ready for a picture. Just do it!

If it wasn't for Kenny Rogers, I don't think I would be in country music. He was that guy when I was a kid - his music and 'Hee Haw' made me perk my ears up and made me say, 'What is this? I want to hear more of that.' He was that catalyst for me to start this whole run in country music.

I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'

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