There is little for the great part of the history of the world except the bitter tears of pity and the hot tears of wrath.

Celtic and Ajax are great names in history. They both have great followings all over the world, not just in Holland and Scotland.

One of the immutable patterns of history is the rise and fall of great powers. Those that survive are the ones that adapt as the world changes.

I think, in general, when you talk about great wrestling towns in the history of the world, I think Memphis kind of shoots up there into the top three if not the top two.

I think the rise of China is one of the great events of all economic and human history, and I think this will be overwhelmingly a positive thing for the region and the world.

I'm suggesting that, ironically, the secret to becoming a world 'hyperpower' is tolerance. If you look at history, you see great powers being very tolerant in their rise to global dominance.

Part of what makes America great is that we stand by the countries that share our values around the world. That's why throughout its history, the State of Israel has had no greater friend than the United States of America.

It was Apollo 8 that first showed us the tiny blue marble of Earth floating in the void of space, one of the great psychological shifts in human history. From out there, we can both appreciate and begin to solve the problems of our world in ways unavailable to us otherwise.

Museums are managers of consciousness. They give us an interpretation of history, of how to view the world and locate ourselves in it. They are, if you want to put it in positive terms, great educational institutions. If you want to put it in negative terms, they are propaganda machines.

How great is the mystery of the first cells which were one day animated by the breath of our souls! How impossible to decipher the welding of successive influences in which we are forever incorporated! In each one of us, through matter, the whole history of the world is in part reflected.

In the academic world, biographies of these great figures of the past fell out of favor in the 1960s, when there was a turn toward social history, which meant the history of the voiceless and faceless. But the public at large never embraced the idea that these dead white guys should be abandoned.

Share This Page