The charm of horror only tempts the strong

I'm a huge fan of the horror genre and the supernatural elements.

The horror genre is fun but I'm not sure it is quite right for me.

I am a fan of the true crime and horror genres! So, I've got a dark side too.

I am a fan of the monster and horror genre but that's not my style as a director.

I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.

If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.

I would like to see the technology used to explore more period horror genre works, for example, E. A. Poe.

The horror genre has been for me an original way of taking an explicit visual and visionary approach to directing.

I see horror as part of legitimate film. I don't see it as an independent genre that has nothing to do with cinema.

I hope to be on the scene for a long time. I'd love to be old and gray and still be working in this [horror] genre.

If you look at the horror genre, that work is all about making people uncomfortable by stimulating our fear of death.

What some of the early horror genre masters knew, and what I know, is that the audience are perverts, but in the best possible way.

Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.

Down the road a bit, I would like to write a couple of stand-alone adult novels, especially in the horror genre. I've got lots of things up my sleeve.

In the horror genre, unfortunately you sometimes have the studio tell you, "No, go with more unknown people because it's a scary movie," and I disagree.

Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.

I always wanted to get into the horror genre. I like scary movies. I want to go to the fan shows and sign posters with my head hanging by a thread like a B-movie actress.

The Devil pulls the strings which make us dance; We find delight in the most loathsome things; Some furtherance of Hell each new day brings, And yet we feel no horror in that rank advance.

What scares me is what scares you. We’re all afraid of the same things. That’s why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you’ll know what frightens me.

I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.

I'd like to be remembered not only for my body of work but also for specific novels. Ideally, I want to be remembered in the same way as Stephen King, who defined and exemplified excellence in the horror genre in the late 20th and early 21st century.

The horror genre is an extremely delicate thing. You can talk to filmmakers and even psychologists who've studied the genre, and even they don't understand what works or what doesn't work. More importantly, they don't understand why it works when it works.

In his essay on the uncanny, Das Unheimliche, Freud said that the uncanny is the only feeling which is more powerfully experienced in art than in life. If the horror genre required any justification, I should think this alone would serve as its credentials.

The question I ask myself is: have I really just become a squeamish middle-aged man, or has something happened to the horror genre that shows a growing appetite for watching torture, or at least a desire to explore it on film? And if so, why would that be? I can't pretend I know. I just know I don't like it.

When you're playing the devil, you're playing the ultimate evil. There are no boundaries. In doing a film in the horror genre or a psychological thriller, you're really pushed as an actress, you're pushed way outside of your comfort zone. Emotionally, mentally, and physically. That's when things really get fun.

It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.

What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.

If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.

I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.

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