Quotes of All Topics . Occasions . Authors
Compassion is contempt with a human face.
Liberalism is totalitarianism with a human face.
Laughter is the sun that drives winter from the human face.
For me, the human face is the most important subject of the cinema.
There's nothing more interesting than the landscape of the human face.
When you go a week without seeing a human face, that does something to you.
Who sees the human face correctly: the photographer, the mirror, or the painter?
If you want a vision of the future, imagine a boot stamping on a human face - forever.
Every great work makes the human face more admirable and richer, and that is its whole secret.
In time, we shall be in a position to bestow on South Africa the greatest possible gift - a more human face.
We have to choose between a global market driven only by calculations of short-term profit, and one which has a human face.
I do, indeed, close my door at times and surrender myself to a book, but only because I can open the door again and see a human face looking at me.
What do you think is the world's most recognisable container of information? It's the human face. We are constantly reading each other and responding.
The first voice they hear is mine, the first touch they feel is mine, the first human face they see is mine. They just think I'm a strange tiger who walks on two legs.
I believe the most interesting thing to look at in the world is the human face, so that is why I tend to be a little closer to human faces than maybe other directors will be.
There are a number of fascinating stories included in 'The Human Face of Big Data' that represent some of the most innovative applications of data that are shaping our future.
The great powers of the world may have done wonders in giving the world an industrial look, but the great gift still has to come from Africa - giving the world a more human face.
Some of the pictures in 'The Human Face of Big Data' will bring tears to your eyes; others are so surprising or memorable that you just have to show them to your friends and family.
Our human face happens to be one of the most powerful channels that we all use to communicate social and emotional states: everything from enjoyment, surprise, empathy, and curiosity.
When I was a graduate student in computer science in the early 2000s, computers were barely able to detect sharp edges in photographs, let alone recognize something as loosely defined as a human face.
The main difference between the Prague Spring and the Velvet Revolution was that the former was mostly the work of Communist party members and others who wanted to bring about 'socialism with a human face.'
Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.
I wanted to put a human face on anxiety disorders. I thought people who suffer from anxiety might recognize themselves and gain some comfort from my story and for those who don't suffer from anxiety disorders gain some understanding.
I even believed in a third way; I thought it was possible to put a human face on capitalism. But I was wrong. The only way to save the world is through socialism, but a socialism that exists within a democracy; there's no dictatorship here.
What are gold and jewels and precious utensils? Mere dross and dirt. The human face and the human heart, reciprocations of kindness and love, and all the nameless sympathies of our nature - these are the only objects worth being attached to.
I don't want to be like other authors and say that there are only a few story lines in literature. A story is like a human face. We have as many stories as human faces. You might have similar facial features, but they're all a little different.
The human face is the organic seat of beauty. It is the register of value in development, a record of Experience, whose legitimate office is to perfect the life, a legible language to those who will study it, of the majestic mistress, the soul.
The typical Western is kind of a good-guy/bad-guy thing, and that's great, but initially when I heard about 'Into the West,' and what I love about it is it delves into both sides of our cultural past, and it puts more of a human face on the Native Americans.
To pursue a so-called Third Way is foolish. We had our experience with this in the 1960s when we looked for a socialism with a human face. It did not work, and we must be explicit that we are not aiming for a more efficient version of a system that has failed.
I am a regular, if not exactly enthusiastic, patron of my local bookshop. I try to buy at least some books there because I cling to the belief that it's important to maintain those businesses which put a human face on the exchange of money for goods and services.
Whether as victim, demon, or hero, the industrial worker of the past century filled the public imagination in books, movies, news stories, and even popular songs, putting a grimy human face on capitalism while dramatizing the social changes and conflicts it brought.
I just don't think CGI is up to manipulating the human face yet. I feel like you can get away with it with aliens or monsters or something that's intentionally foreign, but I have yet to see anything digital to do with the human face that doesn't just look ridiculous.
Liberal democracy - as you know, in the old days, we were saying we want socialism with a human face. Today's left effectively offers global capitalism with a human face, more tolerance, more rights and so on. So the question is, is this enough or not? Here I remain a Marxist: I think not.
I think our everyday coded language around 'good neighborhoods' and 'bad neighborhoods' is what allows for tremendous violence to happen... When you label a neighborhood 'bad' and avoid it, then you don't know and don't see what goes on there. And there's no human face to interrupt that narrative.