I'm an independent. I've signed with no label.

We've sold over 100,000 records so far, and we're an independent label.

I base a lot of decisions on my gut, and going with an independent label was a good one.

I'm the first British artist to have two successive number ones on his own independent label.

At an independent label, you have to figure out inventive ways to promote without spending the money.

We turned what is virtually a glorified independent label into one of the powerhouse labels in the town.

Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.

Being a part of exhibitions is not a burden; it's another way for an independent label such as mine to reach a larger audience by exposing them to my whole body of work.

Let it be known: I am a free agent. I'm operating as an independent label. I do not have corporate sponsors. I don't have no corporate backing. I don't have no major distribution.

I signal with an independent label, Continuum. After that I put out a totally independent record, sold fourteen thousand of them from my basement, bought a house, started raising my kid, made a decent living.

I'm really happy with Elektra, I don't have anything bad to say about them at all. I always knew a major label was the right place for me to be. I never really had an opportunity to go to an independent label anyway.

I started touring a little bit in 1973 in support of a record I made for an independent label. In 1975, when I signed with Warner Bros., where I remained happily ensconced for the next 24 years, my touring activity increased considerably.

I just initiated the project where I write music for somebody else to write the lyrics and also for the orchestra to perform. I've just initiated the project. That leads the project into creating an independent label outside of game music.

If we meet some people that are in love with NFG that are a major label, then we'll sign with them. If we meet people that are in love with NFG that are an independent label - and they have a plan - well, then we'll sign to them. It's completely up to us.

Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'

Share This Page