The man who plays his part upon the theatre of life almost always maintains what may be called an artificial character.

In cartoons and in improv, anything can happen. You can be any character you want. The rules of real life don't always apply.

I always admired Frank Sinatra. He had ups and downs, but he didn't give up his style. He had what might have been a tough life or character.

I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.

I think it always helps when you build a character, and then, you actually step into that character's wardrobe, something else happens. Another angle of the character comes to life.

I feel like athletes lean into this indestructible character. But unless you're doing something really shady, no one nails every day of their life. You're always going to have rough patches.

Acting always affects every part of your life because it's such a solitary, lonely, and thrilling circumstance that you're taking on someone else's character and that responsibility. It's exhausting.

What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be.

When you practice Buddhism, you have to always self-reflect, and you can't avoid your problems. That makes me understand human beings better. I feel that the more I do that in my own life, the more I can see how to play a character.

Whatever you perceive, you always make a story with yourself as the main character, and that dictates your life. Then when you read 'The Four Agreements', you hear another voice beneath the story, the voice that comes from your integrity, your spirit.

People that are brilliant and successful, we think they've just always been that way. That's not the case. Most of them have had some tough adversity in their life. It's prepared them. I've never felt like you could develop character without adversity.

I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.

What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be. My regard for that character turns out to be a very sympathetic one.

There have always been two people jostling for control of my life, two totally opposite characters. The first one is super-confident, bulletproof, a showman, and an extrovert. He tries to make people laugh, messes about, gets into trouble, shrugs it off. The other character is withdrawn and reflective.

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