Florence and art is something that is part of my life and is part of myself.

I made a life for myself in Africa that was as far as you could possibly get from art school at Yale.

I try to not to overanalyze, not to watch myself too much, but to be present in life and in my art. I'm so glad it comes off in that way.

If I were not able to separate the art from the artists, I think I would limit myself a great deal, and life wouldn't be nearly as interesting.

Certainly, I devote my energy to both telling my personal life story and seeking self- obliteration. However, I will not destroy myself through art.

Always the danger for me in life and in art is not to be brave. I am not a naturally brave person. I have to will myself not to hole up in my house and read my life away.

Yes, I would loved to have just sustained myself through my art, but less than one in a billion musicians gets that life. So rather than being like, 'I'm an exception!', like a moron, I thought I'd get a real job.

I don't want to find myself ever locked into what people think I should think or do. In my art, and acting, I have a universal vision of things, an international vision. Bigger and broader and beyond. 'Bigger than life' is always on my mind.

A supreme pragmatist, Kissinger was never interested in the art of the impossible - and nor, as a biographer, am I. That is why, having initially been invited to write his entire official biography, I eventually decided to devote myself to writing just one year in his life: 1973.

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