One thing I look forward to is seeing new places and new people.

I had to look at white people as fellow South Africans and fellow partners in building a new South Africa.

One thing about New York is you can understand how you're perceived really easily if you just get on the train, by the way people look at you.

At the organisational level, our party has to really develop a new style of connecting with the people. We have to also look at the way we project our programmes, our policies.

When you look at a Congress that has an 84 percent disapproval rating, that means that for the most part, the people of this country, and certainly California, are looking for new leadership.

Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.

Conventional companies try to find new uses for capabilities they already have. Transformers look at what the market needs and then go build it, hiring new people and/or taking people off other jobs.

I think people expect when you have a new Premier that it's that Premier's prerogative to look at everything on the table and say, 'Well I'm the leader now. What do I want to take forward and what don't I?'

If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.

I write books to open people's minds, to present new perspectives, to make people realize that what they think is obvious is not so obvious, that you can look at a trivial situation from a different angle and suddenly reveal other meanings and levels.

Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.

When I look back now I realize I was such an obnoxious kid but, you know, I went to schools like you, like a public school in New York so compared to the anarchy that was going on there, they really wouldn't - I wasn't like a bad kid. I saw people come in and punch the teachers.

I think people get a little resentful when they were there at the beginning, when they supported you when you played in front of nobody - which we still do. They get a little resentful when they have to share with new people. That's why I want to really look out for the people who've been with us from the beginning.

We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.

In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.

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