I love that way dance music can put you in a trance.

I'm making music 'cause I love music, not to get in the charts. That's the way I want things to be.

The way that I've always gone about making music, the rule of thumb, has just been to make what I love.

If one person feels the way I felt when I first fell in love with country music, then I'm doing my job.

I love the pioneers like Sam Cooke and Otis Redding, but when I write music, it comes out in my own way.

It's a unique thing, and it's probably the thing I love most about songs and music - their ability to connect in a human way.

I love classical music; I love the way it's worked... all those chord sequences so I often use that sort of effect in my solos.

My fans love everything. You can find my fans at a Drake show; you'll find my fans at Post Malone all the way to Pink. They just love music in general.

I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.

On 'Love Letters' I focused exclusively on sung music, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.

My exposure to independent music was via Nirvana and grunge so I'd never gotten into punk. I don't really like that music of Crass, but I love the band, and I love their way, and their presentation.

On 'Love Letters', I focused exclusively on songs with lyrics, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.

I think basically, there are some bands and acts who feel the need to cultivate a persona or act a certain way or get quotes or whatever, because they feel like that helps them get promotion, and I feel like we're a band who have always just made music that we love and kept ourselves to ourselves and got on with it.

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