You pay more in wages, get more in in tax, you get people living a higher standard, you get more money. It's a kind of circle.

Growing up I always felt like I was living on the other side of the tracks. I knew the people on the other side had more resources, more money, happier families.

It's hard to make a living as a novelist. My first novel 'Tapping the Source' made quite a splash in Hollywood, and people started asking if I wanted to write scripts. I quickly realized I could make a lot more money that way.

When you're 22, 23, living in New York, you're just scrambling to live on people's couches and in rooms that you're sure you're not supposed to be in. You're not on the lease; you're paying weird amounts of money every month trying to make it happen.

We want to make our own Netherlands, to close our borders and to keep all that money that we give to the foreigners, there is billions, to Africa for development, to Brussels, to Greece, to asylum seekers in the Netherlands, we will stop that and give all that money to the Dutch people living in the Netherlands.

Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.

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