PUP introduced me to so much more amazing music. They really shaped my sound.

It was amazing to me that, all of a sudden, I was hearing my music on the radio and coming out of cars.

Just knowing that through my music I actually inspire people is amazing for me and I find it very heartwarming.

To me, I think of the '70s as being this glorious decade where I discovered who I was and discovered all these amazing things... punk rock, electro music, fashion, all of that.

What I do and where I come from, the kind of music that I'm making, it's definitely U.K. If I turned around and did a tune with Timbaland, it would be amazing, but it would be me kind of leaving where I'm coming from.

I've had so many young girls come up to me after a show and say, 'How do I start putting my music on Bandcamp?' or 'I used to play music, but I don't anymore, and I really want to start writing again.' That's just the most amazing feeling.

To combat the confusion and depression that assault me when I come off the road in the middle of a tour, I seek the most oblivionated music possible. When it's the 'way out there' that I seek, I go right to my stash of amazing music from Japan.

Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.

I don't think there's any danger of me playing Indian music. However, I did a song of George Harrison's 'Beware of Darkness' that was kind of like that. That was an illusion. I was playing that on a thumbtack piano, and Jim Gordon was playing tablas. He's an amazing player. That was as close to India as I ever got.

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