I like to take walks in the park by myself, where no one can bother me and I can think.

Even the people I surround myself with... are wiser, a little bit older than me, where before, all my boyfriends were younger.

I have pictures with Morimoto where I'm all embarrassed and he's so serious, it took me 30 minutes to get up the courage to introduce myself.

I tend to play in a way that feels natural to me. To me that's authentic for myself. I play by where I'm led by some sense of where I feel I'm supposed to be.

I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.

Fame put a lot of pressure on me in the Eighties and early Nineties - and I'm glad that I had the kind of makeup where I could come through it alive, keep myself in hand.

I think I subconsciously put myself in these situations where the girlfriend isn't pleased with me. I'm useless as a boyfriend. That's how I managed to write all these songs.

I decided that, if I were to write a teen series, I'd want to set it in a place that was familiar to me - Manhattan, where I'd grown up - and I'd model the characters on myself and my friends.

I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.

A bunch of my fans have come up to me and said, 'Because of you, and because you came out, I have finally begun to accept myself.' That is infinitely incredible for me. I didn't expect to get to the point where I would own up to it within myself.

At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.

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