Like so many people around the world, I consider myself to be of mixed nationality.

I detest talking about myself. There is a reason why people pick up an instrument and put it between themselves and the rest of the world.

The only people to whom myself and the immigration issue is toxic are to the well-heeled committed Remain voters, the sort of people who live in the Hannan and Carswell world.

With 'Palo Alto' as the catalyst, I've surrounded myself with people that have kind of created a world where I can feel like I'm not gonna be judged for doing something that I want to do.

I know that I'm a role model for a lot of people, and I'd like to be. I know that there are people who probably don't agree with how I think or how I see myself and my place in this world. That's OK.

One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that.

I don't know why, but despite winning how many world championships, how many Tour stages, and being 31 years old, some people still thought I had to prove myself, you know. So I had to do the Track Worlds to try to prove myself.

Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.

I've always viewed myself as a brand. When I started 10 years ago, that was very controversial. 'Marketing' and 'PR' were dirty words for the literary world, but that has changed. Once the book is finished, I want as many people as possible to read it.

When I first heard that I had won the prize, I thought that it was something for myself, that it was something personal, recognition of my writings. But there is such a strong reaction from Chinese people in particular. It's been very passionate, overwhelming and passionate, Chinese people from all over the world.

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