Quotes of All Topics . Occasions . Authors
What I really have a sense of dismay about is that there is a center of anything. I think maybe Cleveland can use one. Also possibly Los Angeles needs informed cultural guidance and a place to go get it. But not New York. New York is a center, a world's fair, and a den of thieves, and a house of miracles.
I'm not saying you have to be totally despondent or anything, but... in New York, it's cold sometimes; it rains sometimes; even if everything in your life is great, bad weather can set the mood. You can write songs in New York because it's not always perfect. To write a good song, things can't be perfect.
My plan was I just knew, I think the first time I was in a high school play, and I liked the feeling of that. Getting on the stage and entertaining and audience. Eventually, I went to New York and studied my craft, and I was in school for two years in the same class with Joanne Woodward and Steve McQueen.
One of the things I most wanted to do in New York was to go to a performance by Martha Graham. For me, she's Miss Mattie T. Graham. I thought she needed something in the middle. If she's going to be an honorary Southerner, she's got to have something in the middle, so I just put an initial T and a period.
New York has influenced me a lot in terms of my own independence. I'm really struck by the idea of authenticity, and I think New York embodies that idea, even though people are like, 'I miss the old New York.' But at its core, it has this natural, authentic energy. L.A. lacks that idea; it's painted over.
My ideal city is more like the city (New York and Paris come to mind, but it sort of applies to all) that existed up to and including the 1930s, when different classes lived all together in the same neighborhoods, and most businesses of any sort were mom-and-pop, and people and things had a local identity.
Thomas Young was born in 1731 in upstate New York. The child of impoverished Irish immigrants, he grew up in a log cabin without the benefit of a formal education. But he was an avid reader who began collecting books at a young age and eventually amassed one of the finest personal libraries in New England.
Open the books ... and you will be staggered to see how much American money has been taken from the United States Treasury for the benefit of Russia. Find out what business has been transacted for the State Bank of Soviet Russia, by its correspondent, the Chase Bank of New York [owned by the Rockefellers].
The New York Times is an institution that attracts careerists, who are drawn to power and access. This gave me a kind of a free hand. The kind of work that I wanted to do, most of the other reporters didn't want to do. I was not doing lunch. I was not sucking up to officials. I was writing from the street.
I always wanted to be an actor, but I always loved design, and growing up in New Orleans there was such great style, great architecture. I would decorate my little apartment in New York over and over again, because it only had a couple of rooms. And I did it for friends and family on the side just for fun.
Where is the "unexplored land" but in our own untried enterprises? To an adventurous spirit any place--London, New York, Worcester, or his own yard--is "unexplored land," to seek which Frémont and Kane travel so far. To a sluggish and defeated spirit even the Great Basin and the Polaris are trivial places.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
I also remember that Snoop Dogg visited the set in New York, with a joint in his mouth that looked like a cigar. There's your anger management. I thought, "Isn't he going to get arrested?" It was like he lived on another planet. God bless him, he was very nice. Who wouldn't be nice when you're that stoned?
In 2003, I wrote a New York Times best-seller called 'Shut Up & Sing,' in which I criticized celebrities like the Dixie Chicks & Barbra Streisand who were trashing then-President George W. Bush. I have used a variation of that title for more than 15 years to respond to performers who sound off on politics.
'We Were the Mulvaneys' is perhaps the novel closest to my heart. I think of it as a valentine to a passing way of American life, and to my own particular child - and girlhood in upstate New York. Everyone in the novel is enormously close to me, including Marianne's cat, Muffin, who was in fact my own cat.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
A very awkward situation occurs often in New York City when you are walking down a relatively empty sidewalk and there happens to be a person walking right next to you in the same direction as you at the exact same pace as you. I never know whether to pass or draft. It becomes sort of a strange competition.
I grew up in New York. We were all diversified, as far as music was concerned. I grew up liking just about everything. So I tried to incorporate that into my playing, although the original school where I came from was Afro-Cuban music. But I liked all kinds of music -- I tried to bring that into everything.
Music is real; it's something you can touch and feel. It moves you - the bass literally shakes you and rocks you from the inside. Music makes your soul feel amazing while you're performing it. It's not air, it's not wind, it's not anything like that. It's solid. It's thick. It's like summertime in New York.
When I did get married, and specifically after I got married and the New York Times style section featured my wedding in the vows column, which is really traditionally kind of seen as an elitist column, and it is, but I was happy to be in it. I thought it was good that they were covering a feminist wedding.
Coming to New York is like a big hug, everyone is so welcoming. There's something about here, everyone makes you feel so at home. I miss my family of course, but I don't miss London that much. I was worried, but I feel really at home. Everyone says that who comes here from London, but I didn't believe them.
If I thought about planning, I'd plan movies. If I thought about planning my life, I'd plan my life more rationally, not like New Yorkers who live their lives so irrationally, without reason. Maybe that's the connection between my movies and New York: the movies have the same kind of lack of overall design.
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.
Silence? What can New York-noisy, roaring, rumbling, tumbling, bustling, story, turbulent New York-have to do with silence? Amid the universal clatter, the incessant din of business, the all swallowing vortex of the great money whirlpool-who has any, even distant, idea of the profound repose......of silence?
You never know what you're in for when you take a role. When you're reading the script, you're in some café in New York and you're loving life and it sounds great because it's like reading a book. When you step into that book and you actually have to play it out, for real, it's a totally different ball game.
I honestly didn't even know who the coach was when I was coming to New York. I just wanted to win a championship; I didn't even know who was coaching. I didn't care. It could have been Aunt Jemima. They could have had the syrup coaching. I was coming here regardless. I just wanted to win a championship here.
For sure, one moment really defined the path that I was to take in the future, and that was when I won the Metropolitan Opera National Council Auditions in New York in April of 1995. I had just turned 25 two days before the finals concert, and when I won, I had no idea how my life would change because of it.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
When [my father] reached his majority, he was the head of the family. Everybody depended upon him. He went into a very uptight appearance; he would wear Chesterfield coats to work, Homburg hats, really getting into the whole thing. He knew people like Oscar Levant. He loved New York. He wanted to live there.
Stu walked Bennie over to Chris in the chair and parted his hair to reveal some tan little creatures the size of poppy seeds moving around on his scalp. Bennie felt himself grow faint.'Lice' the barber whispered.'They get it at school'. 'But he goes to private school' Bernie had blurted.'In Crandale,New York!
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
I'm actually from Mt. Kisco, New York, which is in Westchester County, and when I auditioned for 'Dukes,' I told them I was from Snailville, Georgia, which doesn't exist, and I'd just graduated first in my class from the Georgia School of High Performance Driving, which also doesn't exist. But they bought it.
Housing Works is the coolest thrift store in the world, because not only are they the best thrift store - they're not the most thrifty thrift store - but they have amazing stuff and all of their proceeds go directly to kids, mostly homeless kids, living with AIDS and HIV in New York, in the metropolitan area.
When I was in high school, I was doing a fashion show, and my House Father would host fashion shows at the school. He was great at it. He saw me and said, 'That's my daughter.' The rest was history! We went to New York City to rehearse and go to balls, and I was in the ballroom scene until I was 17 years old.
I just wish there was more media that was trailblazing and independent. And, this to me is a big danger right now in this set up is you've got these corporations, like the New York Times, and Amazon now with the Washington Post, and Time-Warner, and all of them seem to be the same! This is what's frightening!
My daughter just graduated college and she's a dance major. She's done a couple of dance videos already and won Miss Massachusetts a couple of weeks ago. She's going out for Miss United States the second week of July, out in Las Vegas. She will probably wind up going to New York and trying the Broadway thing.
My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.
I still don't understand why you don't mention the family charitable foundation, the Clinton Global Initiative. The Clinton Global Initiative is actually like a Morning Call for women all over the world. When the Clinton Global Initiative comes, that's a signal to women all over the world to come to New York.
Were it not for Jackie Robinson, Branch Rickey would be remembered, if at all, as a Bible-thumping midwestern Methodist windbag who neither played baseball on Sundays when he was a mediocre catcher for the St. Louis Browns and the New York Highlanders, nor attended games on the Sabbath as a baseball executive.
And before me was the great raw bulge and bulk of my American continent; somewhat far across, gloomy, crazy New York was throwing up its cloud of dust and brown steam. There is something brown and holy about the East; and California is white like washlines and emptyheaded - at least that's what I thought then.
Even when I went to America I didn't work for four years. It wasn't like I came to New York and it was the land of milk and honey. It was just as much of a hard graft. But there's a lot more opportunity nowadays across the board for actors, no matter what color you are, with the Internet and small productions.
I grew up in Brooklyn, New York. I grew up in a very Jewish neighbourhood and thought the whole world was like that. My parents were secular, but I went to a very Orthodox Jewish school, and I really got into it. I found it all fascinating, and I was just kind of really attracted to the metaphysical questions.
I just spent a lot of time on 'ER' for that eight years. I also started working when I was 16, so by the time I left 'ER,' I was 40 years old, I had this incredible experience, my wife had this great company, we had four kids, it was like, 'Let's go to New York and live for a while and make that the priority.'
I didn't realize how much of a Hoosier or a Midwesterner I was until I moved to New York. It's weird - growing up in Indiana, I wanted to get out, and now I completely romanticize Indiana. It just seems like there's a greater focus on family back there, which I suppose is something that kind of stayed with me.
I'm dealing with Mexico, I'm dealing with Argentina. We were dealing in this case with Mike Flynn. All this information gets put into The Washington Post and The New York Times, and I'm saying, what's going to happen when I'm dealing on the Middle East? We've got to stop it. That's why it's a criminal penalty.
Their problem is not me and the Democrats; their problem is themselves. Who are they? Are they these extreme conservatives who are right-to-life, pro-assault-weapon, anti-gay? Is that who they are? Because if that's who they are and they're the extreme conservatives, they have no place in the state of New York.
I wasn't born in New York and I may never live there again, and just thinking about it makes me melancholy, but I was changed forever by it, my imagination is manacled to it, and I wear its mark the way you wear a scar. Whatever happens, whether I like it or not, New York City is fated always to remain my home.
One evening at a hotel in New York I flipped around the television channels. Suddenly there on the public access channel was a voluptuous young woman, naked, her body oiled, writhing on the floor while fondling herself intimately... I watched for some time --- riveted by the sociological significance of it all.
The 'New York Honk,' as it was called, was the most fashionable accent an American male could have at that time, namely, the spring of 1963. One achieved it by forcing all words out through the nostrils rather than the mouth. It was at once virile... and utterly affected. Nelson Rockefeller had a New York Honk.
When you grow up in the city, New York is so big that you can kind of stay in your own little corner of the city and think that that's it because you don't need anything. You don't have to venture out; you don't have to touch the boroughs. You can kind of stay in your neighborhood, and there's everything there.