Onassis told me. He begged me to come to the wedding.

First I lost my voice, then I lost my figure and then I lost Onassis.

I have absolutely no intention of marrying Jacqueline Kennedy Onassis.

For casual wear, I'm obsessed with Onassis in Soho. Hip-preppy and well priced.

I was one of the first people to learn that Jackie was going to marry Aristotle Onassis.

In the annals of the rich and miserable, Christina Onassis stands out, if only because she was so rich and so miserable.

During the 1950s, Aristotle Onassis and I formed what grew to be a close friendship and association in several business ventures.

Onassis was a man who loved to walk, to walk and talk, and he was the kind of man who doesn't go to sleep at night-he talks and talks.

I've met more than one person in their early 20s who has never heard of Jackie Onassis, though most girls have because she exists as a fashion icon.

I knew who Jackie Kennedy was in terms of being the wife of JFK and being a clothes horse, and I knew that she later married Onassis, but I had a very, very vague idea of who he was.

There's an image that some of us have of Jackie Onassis, stepping out in the rain, and Maurice Tempelsman is holding her umbrella. We want that man. We want the man to be the concierge and the masseur and the travel booker.

Constantine 'Costa' Gratsos had made his fortune as a lifelong associate of shipping icon Aristotle Onassis. He took a liking to me, became my first mentor, and showed me how to swim in the deep, dangerous waters of business.

As a kid I would be put to bed when my parents had guests and because I was such a show-off I would go to my mum's room, put on her nightdress and Jackie Onassis shawl, run downstairs, go outside, ring the doorbell and pretend to be one of the guests. I'd say, 'Hello, I'm Mrs. So-and-So.'

I started to work at the Colony in March 1958. I remember my first day because the telephone started to ring, and it was Sinatra, three for lunch, his usual table; Onassis, two for lunch, usual table; the Duke and Duchess of Windsor, Leland Hayward, Truman Capote, all wanting their usual tables.

I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.

My wonderful editor, Jackie Onassis, asked me to write a book that I wanted to write. I said, 'Look, it's not going to be scandalized. I'm not going to talk about anybody like a dog. I'm going to say the positiveness of my life, and talk about those who have contributed to the way I've been going, and that's that.'

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