Postmodernism cost literature its audience.

Postmodernism is Modernism with Alzheimer's.

Postmodernism is silly and joyless at the same time.

Can postmodernism hold the perpetrators of genocide accountable?

If anything I think postmodernism has the least impact on my work.

...one of those very bad men that not even postmodernism can explain away.

Postmodernism is among other things a sick joke at the expense of revolutionary avant-gardism.

I confess I take perverse delight as a theologian in the controversies surrounding postmodernism.

In 1979, postmodernism lost its understanding of the meaning of ornament. It degenerated into kitsch applique.

Postmodernism surely requires an even greater grasp of symbolism, as it's increasingly an art of gesture alone.

Postmodernism - and is that term used much any more? - is simply a reiteration of the sophistic or the rhetorical worldview.

Unless you plan on making academia your life, all you need to know about postmodernism is that its premises are fundamentally wrong.

Postmodernism is an academic theory, originating in academia with an academic elite, not in the world of women and men, where feminist theory is rooted.

There's this expression called postmodernism, which is kind of silly, and destroys a perfectly good word called modern, which now no longer means anything.

What postmodernism gives us instead is a multicultural defense for male violence - a defense for it wherever it is, which in effect is a pretty universal defense.

From my perspective, 'postmodernism' merely names an interesting set of developments in the social order that is based on the presumption that God does not matter.

Postmodernism came nowhere close in quality to Modernism at its apogee, not least because that later style wholly lacked the social impetus that animated the designs most emblematic of the Modern Movement.

In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'

Postmodernism was a reaction to modernism. Where modernism was about objectivity, postmodernism was about subjectivity. Where modernism sought a singular truth, postmodernism sought the multiplicity of truths.

Postmodernism shifts the basis of the work of art from the object to the transaction between the spectator and the object and further deconstructs this by negating the presence of a representative objective viewer.

Japanese horror films take the business of being frightening seriously. There is no attempt at postmodernism or humour. They are incredibly melancholy, with a strong emotional core, while remaining absolutely terrifying.

Postmodernism is, of course, the dead end from which hauntology starts - but one of its role is to denaturalise what postmodernism has taken for granted, to conceive of postmodernism as a condition in the sense of a sickness.

By 1970, the first stirrings of the revolt against Modernist orthodoxy in architecture had been felt, although it would be several years more until Postmodernism was widely accepted and made classical motifs permissible in high-style building design for the first time in decades.

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