Quotes of All Topics . Occasions . Authors
Love is space and time measured by the heart.
Without consciousness, space and time are nothing.
The thought of a limit to perceptual space and time staggers the mind.
That's what a family is, isn't it? Making space and time for one another.
Every day sees humanity more victorious in the struggle with space and time.
I'm most happy when I am writing at night, because I need space and time to write.
Hyperloop is the ultimate pinnacle of that idea of, 'Can we actually shrink space and time?'
I'd worked with Matt Strevens on 'Adventure in Space and Time' and he's a great friend of mine.
And what we know, or think we know, about the universe of space and time is changing very quickly.
My habit of glorifying things far away in space and time, also contributed to my social isolation.
Television news was expanding to an hour, and producers did not know how to fill the space and time.
The abstract analysis of the world by mathematics and physics rests on the concepts of space and time.
The modern artist is working with space and time, and expressing his feelings rather than illustrating.
Every good, successful player, especially an attacking player, has a well-developed sense of space and time.
I don't like the idea of being connected to the world all the time. One should have space and time for oneself.
The mystery of film is not in the script. It's in the shooting, in the interacting of humans and space and time.
Giving yourself space and time can actually lead to the birth of more creativity, better creativity, and some of your best work.
In essence, String Theory describes space and time, matter and energy, gravity and light, indeed all of God's creation... as music.
I just love what art can do and what it means for us; that it can cross barriers. It can speak to us across space and time and culture.
The Mesh difference is that with GPS-enabled mobile Web devices and social networks, physical goods are now easily located in space and time.
Substance must emanate from spirit and is nothing else than the record of the spirit's conception of itself finding expression in space and time.
We need to broaden our sympathies both in space and time - and perceive ourselves as part of a long heritage, and stewards for an immense future.
Space and time may have a structure as intricate as the fauna of a rich ecosystem, but on a scale far larger than the horizon of our observations.
A lot of the things you see in science fiction revolve around black holes because black holes are strong enough to rip the fabric of space and time.
The black holes of nature are the most perfect macroscopic objects there are in the universe: the only elements in their construction are our concepts of space and time.
Any footballer who understands space and time and positioning can become a better player because he knows how to receive the ball alone with time to play a pass or shoot.
To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.
A big misconception is that a black hole is made of matter that has just been compacted to a very small size. That's not true. A black hole is made from warped space and time.
It's such a rare and rewarding thing to be in control of space and time for two hours a night, to go through a journey and take the audience along. There's nothing quite like it.
Physics is often stranger than science fiction, and I think science fiction takes its cues from physics: higher dimensions, wormholes, the warping of space and time, stuff like that.
On one hand, the idea of sending pictures off into the vastness of space and time seems nonsensical. On the other, I felt like the gesture carried an enormous amount of responsibility.
We have to have a combination of general relativity that describes the warping of space and time, and quantum physics, which describes the uncertainties in that warping and how they change.
From this time on, the universe is built up into an aggregate of permanent objects connected by causal relations that are independent of the subject and are placed in objective space and time.
If space is a fabric, then of course fabrics can have ripples, which we have now seen directly. But fabrics can also rip. Then the question is what happens when the fabric of space and time is ripped by a black hole?
Lest those islands still seem to you too remote in space and time to be relevant to our modern societies, just think about the risks... of our increasing globalization and increasing worldwide economic interdependence.
The melded nature of space and time is intimately woven with properties of light speed. The inviolable nature of the speed of light is actually, in Einstein's hands, talking about the inviolable nature of cause and effect.
I wouldn't say that 'The Fabric of the Cosmos' is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.
We have these words 'space' and 'time,' but you can't touch them. They're not objects, they're not things, they go forever. Space and time are really tools of animal sense perception, the way we organize and construct information.
You know the Einstein waves can be thought of as a distortion of space and time. But the way we see it, we see it as a distortion of space. And space is enormously stiff. You can't squish it; you can't change its dimensions so easily.
There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and 'live' with the characters.
A monkey is unaware that atoms exist. Likewise, our brainpower may not stretch to the deepest aspects of reality. The bedrock nature of space and time, and the structure of our entire universe, may remain 'open frontiers' beyond human grasp.
My wife has been incredibly supportive of me as a writer. Trying really hard to make sure I get the space and time I need to work as a writer and being willing to make some of the sacrifices that you have to make to live the life of an artist.
I've been enthralled by deep vistas of space and time ever since watching George Pal's film of 'The Time Machine,' while an early encounter with Arthur C. Clarke's 'The City And The Stars' cemented my love for books with a scope spanning millions of years.
Space and time, not proteins and neurons, hold the answer to the problem of consciousness. When we consider the nerve impulses entering the brain, we realize that they are not woven together automatically, any more than the information is inside a computer.
So for instance it becomes clear why space and time and even the properties of matter itself depend on the observer in consciousness. In fact when you take this point of view it even explains why the laws of the universe themselves are fine tuned for the existence of life.
You have to adapt and find your niche, in terms of the type of player you can become, both on and off the pitch. I always knew I'd have no chance against a 1.90m, 90kg defender in a duel, so the key is to avoid these situations altogether. You have to pick your space and time.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
Before 1915, space and time were thought of as a fixed arena in which events took place, but which was not affected by what happened in it. Space and time are now dynamic quantities... space and time not only affect but are also affected by everything that happens in the universe.
I love the web, but man, I look at my browser, and there are, like, twenty tabs up there, all jostling for space and time, all framed by a mosaic of other apps, other work, other entertainment... so even when I really am paying attention to something on the web, there's this peripheral haze.
My agent said the part was that of an eccentric old grandfather-come-professor type who travels in space and time. Well, I wasn't that keen, but I agreed to meet the producer. Then, the moment this brilliant young producer, Verity Lambert, started telling me about 'Doctor Who,' l was hooked.