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The music industry is an interesting lens through which to look at change, because it has had such a difficult time adjusting to the digital age.
Human brains - in terms of cognition and emotion and consciousness - are essentially the same as they were at the time of Shakespeare or Jesus or Cleopatra or the Stone Age. They are not evolving with the pace of change.
The evolution of Parkour sort of happens with time and age as you change, and the body has a certain memory of Parkour. There is a sort of thing that remains intrinsic, but then the choreography will adapt to whatever the necessity of each particular film needs.
We have to change the way we coach kids in the long-term so that by the time they hit 16, they are better than the Spanish, French, and German players. That is the big challenge, but the No. 1 criteria for me has always been how you are technically judged, from the age of eight, not size or power.