I'm just beginning to direct. For all intents and purposes, this is the first time for me.

Another thing that freaks me out is time. Time is like a book. You have a beginning, a middle and an end. It's just a cycle.

The main thing for me is I really like strong endings. If there's a strong ending, you can take more time in the beginning, your first act can be really quite different.

I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me.

Although Patterson Beams was not my first plug-in, I knew from the beginning that I would write it, because the single biggest time consuming factor for me was editing each beam manually.

In the beginning, the clients would say, 'This is too much,' but over time, the ones I liked kept working with me. They'd say, 'It's not too much. Coco can still be Coco. She still gives 100 percent when she's on a photo shoot.'

I was born in the Eighties, and at that time the idea of having a mixed-race child wasn't welcome. Then I was also an unusual mix nobody was used to seeing. So people weren't very accepting of me in the beginning, but later that changed.

My ultimate crush may be Judith McNaught - I met her once more than 20 years ago, and she was incredibly kind and encouraging to me. I adore that woman. But I also fangirl over aspiring or beginning authors, because every time I talk with them, I'm so energized and inspired.

When I listen to and play the songs from 'Narrow Stairs' now, that record feels like a record where we had established a style that arguably was more our own than it was in the beginning. Going into that record, I felt a lot more confident in my songwriting. It was a fairly prolific time for me.

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