My kids don't go back and forth; none of this 50/50 time with the mums and dads. My children live with me; that is it.

This isn't meant to make me sound interesting and rock 'n' roll, but I wouldn't want to live with me a lot of the time.

Pretty much every time I try something different or do something in front of a live audience, I truly think they might throw peanuts at me.

I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.

To me, it was so exciting that after just a short time of being on my own in NXT, I proved that I could do this on my own, and I got drafted to 'SmackDown Live.'

My response, a dubious and hesitant one, is that it has been and may continue to be, in the time that is left to me, more productive to live out the question than to try to answer it in abstract terms.

The only people for me are the mad ones: the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who... burn, burn, burn like fabulous yellow Roman candles.

I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.

I have my coach, Urijah Faber. He's watching me do everything pretty much all the time. I'm training or grappling or sparring live. He's over there making adjustments. He's really hands on, so that makes a big difference.

I went to New York for the first time when I was in college for a school trip and, uh, it did not appeal to me. It was too much hustle and bustle. And I have since now found a New York where if I lived there now, I know where I would want to live.

There are these girls who live in Maryland: they're the Patrick Super Fan Club Association of America. They've sent me videotapes of themselves just eating and talking about Hanson, and a loaf of bread that was really moldy by the time it got here.

'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.

I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.

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