My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online.

There was a time when radio stations wouldn't play Gaga's music because it was considered dance. Outside of live performances, the Internet became our primary tool to help people discover her music.

I mean, you go to the internet and you can see all these conversations and arguments that our fans have about our music and that's wonderful to know, that people would take the time to be that involved.

I was always interested in mixing experimentation with pop music, and Brian Eno, Kraftwerk, Tangerine Dream - we were all doing it at the same time, just very isolated from each other, all in our different cellars, in different worlds, without the Internet - underground in every sense.

I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.

A guy wrote a blog, way back when the Internet first started; the comments were so negative that it actually stopped me doing music for some time - about two, three years. It was after this one hip-hop project - Redfoo and Dr'Kroon. I wasn't used to it. I didn't like it. It lowered my self-esteem.

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