Creating work for the time that one lives in means no retro thinking. It can and hopefully does mean timelessness.

When you work with people for a long time, you start to sense what they are thinking without having to communicate explicitly.

I work eight hours a day, but I'm not writing all that time. I'm thinking, editing, looking something up. Thinking is what I do a lot of.

It's taken me a long time to work out what people are thinking and what they're expecting. I am naturally solitary, and I'm comfortable with that.

I'm getting fat... because my size, I put on 20 or 30 pounds, it doesn't show very much... I'm thinking about going back to work out in a very short time.

I'm always thinking about time. That's one of themes I return to in my work, the way the past bears on the present, the way that time is not linear, and how that expresses itself in people's everyday lives.

Mothers always find ways to fit in the work - but then when you're working, you feel that you should be spending time with your children and then when you're with your children, you're thinking about working.

My days, sometimes, it's just about work. I'm not thinking about taking a picture in the studio, and I don't have the time to stop being creative to stop and post on Instagram. That's not a part of my creative process.

In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.

With 'Silver Linings,' I didn't feel - I was thinking of certain things, but I just said, 'Let me go with it.' You have to know what you're doing, where you're going with the scenes, and I put a lot of work into that. But when you're out there, at the same time you gotta be ready for anything.

I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.

Share This Page