Trusting your individual uniqueness challenges you to lay yourself open.

Trust your gut. You know yourself, so don't let somebody else tell you who you are.

Trust not yourself, but your defects to know, make use of every friend and every foe.

It's that preparation that goes into each week. We have a term: 'Trust your training, trust your teammate, and trust yourself.'

When you get minutes and you have the trust of the coaches and guys just letting you play your game and be yourself, it definitely helps.

Advice number one: listen to your gut - it's never gonna lead you wrong. Number two: trust yourself. The root of everything is self-belief.

For ice skating, you really have to block out your fears and throw yourself into it - there must be trust in your partner and a trust that you will be safe.

You must trust yourself more than you trust others. Pay attention to your inner voice - it will tell you if how and in what you are investing is right for you.

As an actor, you blindly put your trust in experts - and if they tell you something's safe, you don't fully vet it yourself. If you're young and inexperienced, that's just what you're taught to do.

The tendency of people skirting 30s and 40s is to feel lethargic or weak. But trust me, most of it is in your head. If you keep pushing and challenging yourself, your body will not betray your will.

Trust yourself so that the mistakes you make are the ones you've made and not something you've made because you were afraid to do what you wanted to do. Own your mistakes, then you can own your successes.

Showrunning is an arrogant job. You have to be arrogant and hold yourself strong in order for people to hear you. Confidence partners with arrogance. The only person you have to trust is yourself. The only instinct you can trust is your own.

It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.

You can't be afraid to be honest and to be yourself. We all have imperfections and fall short at some point. Showing your human side creates a sensitivity, openness and trust. That's the beginning of the demise in a relationship - not being honest and not being you.

I am the product of hustlers who taught me how to do it. They gave me a hustler's ambition. Not a bad thing to get from your parents. But hustling only gets you so far. You have to trust yourself. And you have to be ready to fall on your face and be okay when it happens.

You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.

When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.

Share This Page