This collection holds 12 unhappy childhood quotes, drawn from writers, leaders, artists and thinkers across the QuoteForever archive. The most quoted voices here are Brian Aldiss, Gertrude Stein and Ernest Hemingway.

They are ordered so that each author has a say before anyone repeats, which means the first page gives you the range of the topic rather than one writer's back catalogue.

Use the grid and list views to change how much of each quote you see, follow an author's name to read everything else they said, or open a quote on its own page to copy it, share it, or turn it into a picture quote.

When childhood dies, its corpses are called adults.

Communists are people who fancied that they had an unhappy childhood.

Mice: What is the best early training for a writer? Y.C.: An unhappy childhood.

There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book.

Childhood should be carefree, playing in the sun; not living a nightmare in the darkness of the soul.

I am convinced that, except in a few extraordinary cases, one form or another of an unhappy childhood is essential to the formation of exceptional gifts.

People who've had very unhappy childhoods are pretty good at inventing themselves. If nobody invents you for yourself, nothing is left but to invent yourself for others.

People who've had happy childhoods are wonderful, but they're bland... An unhappy childhood compels you to use your imagination to create a world in which you can be happy. Use your old grief. That's the gift you're given.

To be a social success, do not act pathetic, arrogant, or bored. Do not discuss your unhappy childhood, your visit to the dentist,the shortcomings of your cleaning woman, the state of your bowels, or your spouse's bad habits. You will be thought a paragon (or perhaps a monster) of good behavior.

(An unhappy childhood was not) an unsuitable preparation for my future, in that it demanded a constant wariness, the habit of observation, and the attendance on moods and tempers; the noting of discrepancies between speech and action; a certain reserve of demeanour; and automatic suspicion of sudden favours.

Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

That is why we dread children, even if we love them. They show us the state of our decay.

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