My work or art form should represent the kind of world view I believe in.

A work of art is a world in itself reflecting senses and emotions of the artist's world.

I was interested in making work that physically changed as it circulated through the art world.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

An aphorism ought to be entirely isolated from the surrounding world like a little work of art and complete in itself like a hedgehog.

In 2011, 'Yourself in the World,' a book of my writings and interviews, was published in conjunction with a retrospective of my work at the Whitney Museum of American Art.

Laika's films aim to promote thought, feeling, and connectivity through art, inspired by our shared humanity. We're deeply gratified that the spirit of our work has resonated so strongly with audiences around the world.

What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.

If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured.

The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.

An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.

We are probably the only artists in the world who have a 2,000-page book on a work of art that doesn't exist. But in this way, these projects reveal their identity through this whole process. When I'm starting, I only have the slightest idea of how the work of art will exist.

I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.

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