When I get into the shoes of any character, I work on getting the perfect look.

I work really hard on every character and do everything in order to make it look authentic.

When you have a character to work with, you carry them around in a strange way - they make you look at the world in a different way.

In acting, one should look at the film in totality. Improvisations should only be made keeping in mind the limits of a character. Always believe in team work.

Tommy Lee Jones is hilarious. I would say, if you look at the body of his work, the character he is most like is the one in 'The Fugitive.' That's how he talks and jokes. That is the type of energy he has.

Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.

Accents influence a performance. If you look at Stanislavski, he says work from the in to the out, and I probably overall work the other way. I find an accent and a mood, and that influences the character massively.

What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.

Look - I'm an African-American. I'm black. But I'm just looking at the character and trying to find his soul, his energy. If you can wipe away the blanket of skin and flesh that people tend to see, and look inside for the essence of the soul, then that's the work I'm doing. That's the work I always do.

I would say that the fan support validated my choices as an actor and... the work ethic and the amount of work that went into that character day in and day out. I think the fan support really validates that and all of the cast and crew that worked really hard to make the world of 'Almost Human' look the way it did.

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