I've been fortunate enough to really work with amazing people and have incredible people lead me along the way.

Whatever success I may have attained is due to the fact that since I was old enough to work at all, my ambition has never deserted me.

I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.

To me, it's just like, if you have talent, and you're lucky enough to find where you fit, and you work with the right people, it's not exalted at all.

The other day, someone called me this generation's Bruce Dern - I'd never thought of that, and frankly, I don't know enough of Bruce Dern's work to comment on it, though he is an incredible actor.

Think about what you're passionate about. I did not learn something early enough: if I could go back, I'd tell the younger me that there's a big difference between loving to work and loving the work.

I like to think my accent isn't strong enough, but it's funny: I get people coming up to me in America and saying I sound like Mel B. She's from Leeds. They just hear a British accent and probably can't quite work it out.

Too much negotiating and not enough work on the court - that's what happened to me during the lockout. Too much talking and not enough training. I couldn't put in my usual offseason work routine. I think that all caught up to me, with my Achilles problems.

I feel like everyone directs their own career according to their taste, what they migrate to emotionally and what kind of artists they want to work with. And I'm lucky enough to be in a position where I can wait six months for a project that really interests me.

When people ask me what it is about Brazil and my work, it's not something that I can say literally. It's unidentifiable. It's like when you do research and things inspire you. If you're smart enough, then obviously you don't take it literally. The inspiration will come out later somehow.

Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again. I don't care what people think of me as a person, but I do care what people think of my work, and whether I'm investing enough into it.

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