Yoga is the perfect way to de-stress and work out at the same time.

It's always thrilling to encounter the sweep of time in a work of fiction in a way that feels authentic and real.

Writing software is a very intense, very personal thing. You have to have time to work your way through it, to understand it. Then debug it.

I don't ever work in a way where something is an illustration of an event, but when something is occurring at the same time I see it as very informed by that.

We run Android in a very open way and work closely with all partners. We work with Samsung, and I spend a lot of time with them. But we've always supported other partners.

Being in the hospice didn't work out exactly the way I had expected. By all rights, I should have finished my time here in mid-March 2006 - at least, that's when Medicare stopped paying.

I'm a competitor. Any time you work hard and you envision something a certain way and it's not going as you planned and you see it, you know, you go back to the drawing board and you figure it out.

Almost nothing works the first time it's attempted. Just because what you're doing does not seem to be working, doesn't mean it won't work. It just means that it might not work the way you're doing it.

When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.

I've been fascinated over the years by the way refrains work. Think, say, of the refrains in Yeats' ballads. Ideally, each time the refrain comes back in a poem, it is both the same and different. It works by counterpoint and reiteration. It accrues meaning.

Teaching is a distraction and a burden, but it's also an incredible stimulus. And a reprieve, in a way. When you're trying to work on something and it's not going anywhere, you can go to school and there's a two-and-a-half-hour block of time in which you can accomplish something.

The way I found time to write 'The Imperfectionists' was that I took work as a copy editor at the 'International Herald Tribune' in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!

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