Quotes of All Topics . Occasions . Authors
We're all works of art in progress.
I've grown up in the lap of the world.
We are oceans apart. My mother had a very difficult life.
Even with a computer, I can't get rid of all the papers in my life.
There's always a boyfriend. Whatever else I have to give up on, I won't give up on love.
There’s always a boyfriend... Whatever else I have to give up on, I won’t give up on love.
If you had the ceiling falling down in your living room, would you not go and have a repair?
If your ceiling is falling down, don't you call someone in? I apply the same principle to myself.
I don't live for stuff and things, and if I had to live in a cardboard box, I would put curtains on it.
I exercise every day. I don't get up and have a cup of coffee anymore, I get up and move to get blood to my brain.
I'm a working woman of 80 trying to work out what the image I can project is. How I can do it with, you know, dignity.
The money I've earned has enabled me to keep my life in my own hands. I had a terrific body, and I got paid for using it.
My mother was harsh and constantly told me I had jug ears and heaven knows what else. But she was devoted and a hard worker.
We were so poor that my mother would often leave me in a foster home until she could raise enough money to rent rooms for us.
I'm loath to do interviews. What comes out is generally not what I meant or thought I was saying or thought they were asking.
Being on the cover of 'Vogue' at 15 meant nothing to me. I never really understood what it was they were looking at, what they saw in me.
My life has been amazing. How many other ladies of 76 can say that the snapshot on their senior citizen's card was taken by Norman Parkinson?
You know, Italian-Hungarian - no matter how linear and cool I look on the outside, I have all that energy trying to find its way through life.
When you understand how to do that dance, when the photographer says, 'Hold it, do it,' and you know you're getting it right, oh, the fun. It is fun.
A lot of people around me were really staggeringly rich, which I never have been. I walked in between the raindrops of real money, but I've stayed happy.
I'm not giving in to anyone else's idea of how I ought to feel and look at 70. 'Retirement' is not a word I can even visualize. I retire when I go to bed!
I think America may be growing up and accepting the fact that the bulk of life exists beyond 50. Because demographically... the vast population is over 50.
I was the one who kept telling my second husband he should become a cinematographer. I paid for him to get his director's card, and he went on to make 'Godspell.'
I didn't marry to have children. I married to have a relationship, and I was blessed with one child. I was an only child, too - my mother was smarter than most women today; she just had me.
I respect Gloria Steinem enormously. But I never wanted to be in any kind of movement - and if you're over a certain age, you better keep your bra on because nothing's worse than saggy duds.
As a model, I didn't have an identity; I was a chameleon, a silent actress. I was an amorphous thing. I wasn't full of personality, I was full of solitude and solemnity. I wasn't a cover-girl type.
People shouldn't look at me and think life is one big piece of glamour. That's the marketing, the spin. Life is challenging. But I have courage, strength, and enough good health to see the positive.
I understood that synergistic dance between photographer and object - 'muse,' if you will, 'model,' whatever you call us. It's that silent language of communication, like being psychic with each other.
Fashion is more about taste than money - you have to understand your body and tailor clothes to your needs; it's all about the fit. I do the alterations myself - I'm quite a seamstress - it's the influence of my Hungarian mother.
My dream was to become a ballet dancer, but after a year in bed with rheumatic fever at 13, I had grown too tall, and had no muscle tone left. I tried a ballet class and couldn't even do a plie without falling over. It was my first death.
When asked her view of cosmetic surgery, Carmen Dell'Orefice replies, '”That's a very polite way of asking me, I'm sure, ‘Have you had a facelift?' Well, if you had the ceiling falling down in your living room, would you not go and have a repair?
I was the Kate Moss of my day, atypical of what the public wanted, which was Brigitte Bardot. I was always tall, skinny and angular. But now, society has bought 55 years of my marketing 'Carmen,' and I'm considered beautiful. I hope that empowers older women.
I have had more magazine covers in the last 25 years than I have had in my whole elongated career. [...] Today I am in a territory that business considers unmarketable: age and white hair. Slowly, however, I started to own that territory little by little because I stood up for age.
I don't believe in funerals. I believe in celebrating life, and showing people, while they're alive, how much I care about them. And I don't believe in this business of burial. I'm an organ donor. Whether its my skin or my eyeballs, use whatever bits are intact and put the rest in the garbage.
Fashion matters to the degree that it is, for the sighted person, the first language we speak to each other. We are... "judge" is a very harsh word, but we're taking in and we're evaluating. Who is this person? What do I have in common? Do I respect them? All of that is that unspoken visual impact.
We have to program the mind of the public that age is not ugly. Age is just age. Wake up, American children, and stop listening to other people's voices. Know yourself, be true to yourself and make a contribution. It took me half my life to know myself. I listened to other people's opinions and took them as gospel.
The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.
There's no way I would have got to see so much of the world, with my humble background, without modelling. We were penniless and hungry for most of my youth. I washed the sheets in the bathtub in my bedroom and hung them out of the window on the clothes line, which in winter was difficult as the sheets would freeze and get stuck to the line.
I was friends with Salvador Dalí until the day he died. Lucky me. I can't say why. I didn't live to be noticed, I lived to enjoy the excitement of doing right that day, and I knew I was doing it right when they would have me back. That was the thrill for me. I yearned to be validated because my mother was stern and I never did much right, that's how I perceived it.
London College of Fashion, University of the Arts London, offers the range of subjects that help young designers to arrange the underpinnings that are necessary to get from zero to 10. The hardest part is the beginning, understanding your passion and making the decision that whatever it takes, that's what you're going to do. London College of Fashion shows them what they must do and helps them to find their goal.
I'm doing the best I can with the ravages of time on my body and I'm a work in progress. I can't write a memoir because I can't do it this week or next week... I try to be an inspiration to the young to respect their older people; we can't stay the same, but we do the best we can with what's left. You can't whine about stuff, you have to learn to eat humble pie along the way and keep going, because the alternative is going to happen.
Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.
The key to overcoming adversity is to be ready to understand that you have enough, no matter what rug is pulled out from under you. You can't live in fear, or thinking "I'll never figure it out." The more consciously we can understand what we're experiencing, the more that is our protection. So, we run into adversity, but we don't have to stay there if we have imagination and a way to help ourselves change course. Sometimes we can't - knowing the difference is wisdom and the acceptance that we have enough.
I'm totally formed by my mother's interest in fashion. As a Hungarian immigrant, she couldn't afford clothes. She made all her clothes from patterns. It was not dépassé to make your own clothes, it was a respected skill and it was financially expedient. I learned that doing it yourself, having self-discipline and working went hand in hand. To work passionately at something is the key. I'm fortunate and blessed to have had, for the most part in my life, the privilege to work at something I'm passionate about.
My philosophy is the balance of remembering the past but not living in it, to know where you are in the moment, to project a little in the future and be ready to change. It's how you experience the grace to enjoy the smell of the pavement after a rain - the little things in life to make you satisfied. I never settle for anything that doesn't give me a modicum of pleasure if not total joy and satisfaction. It's allowed, that's what we're supposed to feel. How can we, from an empty cup, offer a stranger a drink of water? You have to fill that cup to the brim!