The more you are positive and say, 'I want to have a good life,' the more you build that reality for yourself by creating the life that you want.

When you feel like an oddball, it never really leaves you. Even now, I'm better around people who are uncomfortable with themselves - the misfits.

The more you are positive and say: "I want to have a good life." The more you build that reality for yourself; by creating the life that you want.

I clearly haven't made a good enough impression on people. My go-to line when it's the resume game is that I'm either Chris Evans or Ryan Reynolds.

I like a fragrance that you notice and want to find out more about - get a bit closer. I don't want to walk in and be jolted awake by someone's smell.

The only thing you sometimes have control over is perspective. You don't have control over your situation. But you have a choice about how you view it.

I broke my finger in a stunt in a very not-too-romantic way. I was just trying to tackle someone, and I just flicked his forearm and then screamed in pain.

Women think that men don't talk about their feelings with guys. We do talk to friends about relationships, but it's succinct - 10 minutes, then we move on.

At the end of the day, you have a job to do, and if you don't do your job, you're going to get fired. You just have to kind of put your head down and do it.

I'm not saying that the action/science-fiction genre is bad in itself. I make those films. I'm just saying that the studios have put all their cards on black.

Film is just a different version of what we did round the campfire when we were Neanderthals. We tell stories so people can learn things and relativise things.

As an actor it's easy to be so self-critical, saying to yourself: "Am I good enough? Am I good looking enough? Am I smart enough?" Yet here I am, so I'm lucky.

It's the fear of not being as good as you want to be. If you give over to that fear, it will sabotage you. As much as I can, I try to use that fear to guide me.

There's something so naked about being on stage as a musician. I think about that even with standup comedy or something - like, 'This is it, this is what I got.'

When I'm kissing someone, I don't want to feel as though I'm rubbing off all the makeup that's on their face or messing things around. I think natural is better.

You have to be able to carry a conversation. I think after the initial attraction kind of dies down. The lust dies down. There has to be the thing that engages you.

L.A.'s a pretty, warm, easy, breezy place. You can sunbathe, get a Mai Tai, and wake up five months later. And it's still sunny. And they're still serving Mai Tais.

It feels great to not be the acne-ridden outsider that I felt like when I was in high school. It's a lot more fun being alive now than it was then, I'll say that much.

I still assume that, any day, I'm going to be exposed as a fraud. That, like I once heard Gene Hackman say, the acting police are going to burst in and take away my card.

The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.

No one can survive on their own. Thinking you can is ridiculous, especially going into the middle half of the 21st century. To think you can do it alone is just ridiculous.

'Horrible Bosses' is just blatant, outright fun. I've read some of what the critics have said, and it's incredible how mean critics can be about comedies... It's so ridiculous.

I think it's a fair criticism to say that we've gotten our fill of superhero films, and audiences should just have different things to choose from when they go to the theaters.

I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.

I've seen what can happen to an actor when he's just working for the sake of working. All of a sudden it's ten years later, your career's happened, and you haven't had any control.

Life is a beautiful thing. But you're always striving to be better in your art, striving to be heard. And obviously in a movie business, it's striving to be noticed and appreciated.

Mediocrity scares me. It's the fear of not being as good as you want to be. If you give over to that fear, it will sabotage you. As much as I can, I try to use that fear to guide me.

Right now I just want to play good roles, and if the role happens to be a gay man, that's not of any import other than, 'Is it a good story? Does it say something that's interesting?'

I really like the ritual of shaving. I like getting the perfect brush and finding the right sandalwood soap. The act of shaving, though, is not fun. I like beards and the ease of them.

I'm always surprised reading my old journals. There's this idea that life is hard now, but then I'll reach that moment where it'll change. But there's no summit. It's a constant climb.

If I had let myself off the hook in college, I could have enjoyed myself a lot more. Knowing that I can't have those years back, I have learned to get the most out of living in the now.

More than anything, what we do as actors is to sit and watch, and I would never want to get so lost in the celebrity bubble I couldn't do that because my feet no longer touch the ground.

I think that when you let go and "throw it all away" and stop getting attached and say "whatever happens, happens", you don't invest too much in anything particular, and things work out.

I think it's a very healthy thing to learn from what's happened in the past. But only if you look at what happened and think, 'How could I have dealt with that differently?' Then let it go.

It's really interesting that, in 'The Avengers,' the character that people relate to is The Hulk, and I think the reason why they relate to The Hulk is because he's fragile and human and faulty.

Critics think we try to make bad films. They think we want to spend five months of our lives making something bad. We always go out with the best of intentions, whether it's fluffy comedy or a drama.

With film, oftentimes you work in a vacuum and then you get on a high wire and then you try it and then the day's over and that piece of film exists somewhere in a vault for 1000,000 years and that's it.

Usually, I like stuff kind of fitted, but I'm getting more and more into this comfort, this melding of comfort and style rather than looking like you've tried to shove yourself into some sort of sausage casing.

I'm always calculating what I want to do, who I want to be, what I want to accomplish. I don't need to worry about that - that's always there on a slow simmer. The muscle I have to work on is being more present.

Hollywood is like living in a weird bubble. A bunch of people take care of you and get you stuff, and you're the center of that little microcosmic world. You start believing that it is real and... you deserve it.

'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.

I think we just live in a time of the selfie. So there's a sense that everyone's uniqueness and importance on this planet should be displayed and reveled in, and that there's kind of a piece of glory for everyone.

I like kind of natural, woodsy earth tones. I like patchouli. I like tobacco. I like sandalwood. I like tree resin. I'm not a huge fan of citrus - I like things that are kind of moodier and... more deeper base notes.

The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.

I think the most dangerous word in the English language is 'should.' 'I should have done this.' Or 'I should do that.' 'Should' implies responsibility. It connotes demand. Which is just not the case. Life ebbs and flows.

I think the desire to be with someone beautiful...I just had such a different experience growing up. To be in a position where you're lauded for things that you don't own - and don't think of yourself as - it's so bizarre.

Fear runs our lives. It doesn't matter who you are. You have to understand your relationship with fear. Whether you're scared of getting into a relationship; or taking the new job; or a confrontation - you have to size fear up.

I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.

I have a romantic vision of the beautiful delineation between TV and film that existed for so many years. I romanticize the studio system and movie stars as a whole, but obviously that's just anachronistic and probably a non-reality.

I think it's not fair to the uniqueness and wonderfulness of the individuals, that we can complement one another greatly, but we are not the source of each other's happiness, especially if you don't know who the hell you're talking to.

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