Quotes of All Topics . Occasions . Authors
Twitter! It's like being stalked by committee!
I'm as happy doing 'Postman Pat' as I am doing 'Hamlet.'
Drama school is a pretty intense experience, and I think it changes who you are.
Paula Milne was really the first thing that drew me to 'The Politician's Husband.'
The gritty indie films are a lot rarer than the films that aspire to fill multiplexes.
I've always been a geek and slightly awkward… slightly umm… I was never the cool kid at school.
We seem to spend a lot of our time in very small spaces spouting a lot of dialogue very quickly.
I've always been a geek and slightly awkward... slightly umm... I was never the cool kid at school.
I love a bit of political drama; 'The West Wing' is probably my favourite television series of all time.
Some people live more in 20 years than others do in 80. It's not the time that matters, it's the person.
The bad guys probably get the better lines, don't they? And they wear less spandex. That would be quite good.
How galling to watch someone who looks like you, who basically is you, do all the shagging you didn't get to do.
I always like seeing people transforming themselves, in whatever way that might be, and a different accent is part of that.
I still am a geek, I don't think there's anything wrong with it. I see no shame in having an unhealthy obsession with something.
I'm a good person, I hope. But I'm never as good as I want to be, never as nice as I want to be, never as generous as I want to be.
It's very hard to be objective about something you're in, especially when you set it up against things that you experienced as a child.
An accent has to do with the way your mouth works and the sounds that come out of your head, but somehow it informs everything about you.
I think doing different accents is part of the job of acting, really. It's something else that I quite enjoy the challenge of, to be honest.
To have someone who's got a strong individual voice that is allowed to be heard is quite increasingly rare. These people need to be cherished.
I love characters who are clever and smart, and you have to run to catch up with. I think there's something very appealing and rather heroic in that.
I'd love to work with Aaron Sorkin on something. Just the way he writes, he has no fear in writing people that are fiercely intelligent, and I love that.
I think if my eight-year-old self could see me at the Royal Albert Hall winning a prize for playing the Doctor on telly, he would need a stiff shot of Irn-Bru.
I mean, you know, while I'm acting on stage I'm ranking quite high, but in a room with Barack Obama I'm probably into negative digits. I never feel very famous.
If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.
I have such fond memories of watching 'Doctor Who' when I was a kid and growing up, that if I've left anybody anywhere with memories as fond, then I feel like I've done my job.
When you're older, you want to be scared because you understand more where the boundaries between fantasy and reality are, and I suppose they are more blurred the younger you are.
If you can sell that you're the King of Scotland, or Henry V on a tiny stage in a studio theater somewhere, then you can probably sell that you're a starship captain or a time traveler.
And the very fact of how you speak somehow influences who you are. The way you move, the way you think, it seeps into your being, and it's quite hard to really break that down entirely.
Moths are the ones that freak me out. It's something to do with the way that, if they get squashed, they turn to dust. There's something very wrong about that. It all feels a bit Gothic.
You know, I've just about got used to the fact that people in Britain know who I am on some level, but the notion that there's any kind of international recognition is still slightly bizarre to me.
The Doctor' is the kind of character - because the guest cast is changing all the time, there are very few constants in the show, so the 'Doctor'- when you're there, you're in it a lot. You're speaking a lot.
I've been quite lucky in that I've managed to tick off a few of my dream roles, really. Beyond that, you wait for the next script to come in that will have the dream role that you don't know exists yet, I suppose.
I remember a conversation with my parents about who the people on the TV were, and learning they were actors and they acted out this story and just thinking that was the most fantastic notion, and that's what I want to do.
Unlike other enduring characters such as 'Sherlock Holmes' or 'Tarzan,' being the 'Doctor' allows you a certain freedom that is both very demanding and very thrilling. It allows you to make the character using elements of yourself.
It's always that tricky thing with a remake, especially when it's something that's well loved. You're coming to something that has a built-in fascination, but with that comes people ready to feel disgruntled that it's being remade at all.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
I was always going to act, literally ever since I was tiny. In fact, I have Doctor Who to thank for that. I wanted to become an actor after being obsessed with Tom Baker, the fourth Doctor Who, in the 1970s. His was the definitive performance of all time in anything.
All roads seem to have come back to Doctor Who in our life. But, no, it was a huge part of my growing up. I was a massive fan and it certainly inspired me to get into acting and to be ... one of those people that tells stories on TV. That was a huge part of my childhood.
Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.
I'm quite happy to leave it still feeling that way, leave it before it starts feeling like a job. ... I have such fond memories of watching 'Doctor Who' when I was a kid and growing up, that if I've left anybody anywhere with memories as fond, then I feel like I've done my job.
I was hugely formed by stories I was told as a child whether that was in a book, the cinema, theatre or television and probably television more than any medium is what influenced me as a child and formed my response to literature, story-telling and, therefore, the world around me.
I often stop when I'm doing something, in the middle of rehearsals or some other job, and I try to take a minute to think "Okay, this might be as good as it gets, so drink it in, appreciate it now". So far, I've been lucky because another job has always come along to equal the last.
It has to be said that the bad guys are often more interesting than the good guys because you get to indulge part of your nature that hopefully gets subsumed most of the time. But I just like playing interesting characters, and variety's the spice of that, as it is with life, I suppose.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
I was very small, about 3 or 4 I think, and just wanted to be the people on telly telling these wonderful stories. Obviously the idea grew and matured with me but I can't ever remember wanting to do anything else. I've just sort of taken it for granted all my life that that was what I would do.
To me, it feels like 'The Doctor' has to have a long coat, and that's something imprinted on me from childhood, because he always did. And there's something heroic in a flapping coat, but at the same time, I need to get rid of it sometimes and just be a scrawny guy in a suit that doesn't quite fit.
There's a morality... I think there's a moral compass but whether that comes from religion or just from being a good person, and where one starts and the other begins... I'm a good person, I hope. But I'm never as good as I want to be, never as nice as I want to be, never as generous as I want to be.
I don't think I have ever done anything for this age of children before, a pre-school audience. Generally speaking, we don't have vivid memories of that age and what influenced us, yet clearly they are hugely formative years and it's really important that we can create television of a high quality for that audience.