Quotes of All Topics . Occasions . Authors
I'll be the in to your sane.
Time heals nothing, it merely rearranges our memory.
I'm very intolerant and I get fed up with people easily.
Here in my car, I feel safest of all, I can lock all the doors.
I'm hopeless at small talk and have a problem making eye contact.
When you decide to do this kind of music then you just accept the facts.
I just didn't make music that you could sing with a big grin, still don't.
I'm very into science-fantasy, that kind of swordfights and magic and technology thing.
Ultravox were the blueprint for what I wanted to do, but I stumbled across them by accident.
I was always a bit different. I had a very happy childhood, but I could never hang on to mates.
There's no point in lying saying I am doing really, really well because I'm not; I'm cult level.
I collect fantasy swords, replicas from films, and have them displayed on the wall as you go up the stairs.
I think if you are creative then it's an unstoppable thing. It just keeps coming throughout your entire life.
I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.
It seems no matter what you say and how politically correctly and carefully you say it, you offend someone. Or at least I always do.
I wouldn't say I'm vain - I'm just in a job where the way you look is important. Well, at least the facelift wasn't vanity, but the hair was.
I have a condition called Aspergers Syndrome, which is like a mild form of autism It means I don't interact properly in certain social situations.
I actually have two hats in my office; one says "network," one says "studio." Paul Lee over at ABC sent those over to us and I find it very useful.
I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
I much prefer touring to anything else. Studio work is great, and can be hugely satisfying, but live work has the excitement and the lifestyle that I love.
The idea of collaborating with anyone else was quite daunting. If Battles had any trepidation in asking me, I can assure you I had more after agreeing to do it.
I want them to play Britney Spears at my funeral. This way I won't feel so bad about being dead, and everyone there will know there is something worse than Death.
I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.
When I was 11 I became a massive fan of The Monkees. We had a so-called 'band' of kids on my street and we'd go along to people's houses and mime to Monkees records.
Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones.
If you've been massive and it's all slid away, you tend to get written off. It's quite difficult to overcome that, which is why I've got this problem with nostalgia.
I sometimes wonder if I might be a bit of a disappointment to people, because they are expecting all these '80s hits and what they get is a dark industrial wall of noise.
I got involved in music because I love everything about it, but now I'm in it you see the other side and it isn't much fun. Not as glamorous and enjoyable as you imagine.
I'd been a Bowie fan before punk and used to get no end of trouble. I was always getting knocked about and having to run up the street, getting chased by people. It was horrible.
I honestly don't know what criteria makes someone right-wing or left-wing anymore. The boundaries of those definitions seem to be in a state of flux. I'm not socialist, I know that.
Song-writing is therapy for me. I'm a very moody person, very difficult to live with. There's a lot going on and a lot of contradictions. My life is always one step away from disaster.
And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.
If I thought that any of this was pre ordained, then it takes away any kind of incentive to struggle, or to put up with things, to reach for those impossible dreams, all those dramatic things.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. 'Cars' is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
I'm not good at happy, lightweight kind of music. I'm not really good at pop music. "Cars" is probably the only true pop song I ever wrote. I wish I could write more, but I'm not very good at it.
I am very old-fashioned about marriage. It is for life and I mean it. I always knew that when I met the right girl, the life I had before - being single, in a band, girls everywhere - would be over.
Maybe I over-do the 'not-80s' thing. It should be a part of my life that I've got some sort of pride in, but I've got this huge chip on my shoulder about '80s nostalgia - and it annoys fans sometimes.
When I went to record my first album, which should have been a punk album, there was a synthesiser in the control room. I'd never seen one before but they let me have a go on it and I loved it to bits.
I've got Asperger's syndrome and I'm not a very good people person, so I've always been more comfortable around machinery. Not in a weird way - I don't want to marry my car or anything stupid like that!
I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.
I've spent a lot of time in the United States and I'm not under any illusions that it's a crime-free nirvana. I'm well aware it has plenty of problems, though they seem to be associated with particular areas.
There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.
Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
When I was a kid it was big news when someone flew around the world in a little aeroplane, but nobody cared when I did it. Then, to rub salt into my wounds, the customs people ripped my aeroplane to pieces, looking for stuff.
My dad was a baggage handler at Heathrow and careful with money. He worked hard and had three jobs when I was young. I wish I'd inherited his care for money. Sadly, I've grown up to be rather scatty when it comes to finances.
I want to start my own airplane business. I'm going to buy two Dakotas, paint them up in war colours and do, er, nostalgia trips to Arnhem - you know, where the old paratroopers used to go - and charge them about 20 quid a time.
I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.
I have one brother, John, an airline pilot, who is seven years younger. He's adopted, though we're still blood related - he's my cousin. My parents couldn't have any more children after me, so when Dad's brother died, they adopted John, then just a baby.
I worship nothing. Not a good lie nor a dark one. If nature is proof of God's amazing creation then I have truly seen the light, and the light is black. Nature is genius at its most cruel and savage. No benevolent God could have come up with such an outrage.
I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.