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People identify with other people for different reasons, and I personally am really comfortable around lesbians because, in some ways, we view women the same way.
I've noticed that a lot of people in film always seem interested in music videos, like it's some, like, really exciting thing they've always wanted to do or something.
I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
It's pretty easy to tell who's garbage and who's not right away, and most people suck, to be honest, or they're just really wrapped up in what's going on with themselves.
I'm 30. I'm not that young, right? I'm not, like, 24 or 22. I'm no longer in the phase of my life where I talk about everything as in the future. Like, I'm in the future.
It's really easy to end up on the 'Daily Mail' if you put yourself in situations where you'll end up on the 'Daily Mail,' and it's really easy to not if you don't do that.
The exciting thing about Bleachers and fun. are they're different, and they're aesthetically different in many ways. But it's also like my role is very different, and that's cool.
It just seems like the most fun thing in the world. I've never met people who have kids who haven't looked me in the eye and been like, 'It's the greatest thing that's ever happened.'
I have my cousin's jacket from when he was at war in Iraq. He never came home. It's incredible to have something that is so personal but that I also feel relatively comfortable wearing.
You have to believe that people don't want what you think they're going to like, you know? They want what you like. Once you start doing that, you actually start connecting with people.
So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, 'really hot.'
So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, "really hot."
The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
I want to come and play in cities and states where transgender citizens are not discriminated against, where there's no hateful bathroom bills at the shows where I'm going to be playing.
I've gone down to the Jersey Shore every summer since I was born. It's like a second home, and Asbury Park is like the capital - it's the center of all of it. Musically, it's incredible.
Everybody has this sack they're carrying. Some are heavier. Some are lighter. But no one doesn't have it. And if you think someone doesn't have it, they have a bigger one than you imagine.
I've worked so hard for so long, and everyone's reaction has made me feel like... almost like they trust me, which is just a wonderful feeling. It pushes me to write things better and better.
I think what's cool about about going on a co-headline tour is everyone's bringing a huge show, so it's not like opening band, opening band, then here's the big show. It's like two big shows.
I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
If I was a supervillain, I'd create this universal, cosmic rule where every time an old, shitty, right-wing white man says something unsavory about a young woman, he would just get the clap immediately.
There's nothing more adult than being ripped away from friends and family, you know? Having to manage a life when you're not fully there, manage a life when you don't make a lot of money. It's very adult.
In this business, it's important to constantly do things that you don't know how to do. I love touring and making records, but I've learned how to do that, so sometimes you just have to dive in and try it.
I've never really identified with the way a typical alpha male views women. It's always an awkward forum for me to hang out with another guy and talk about girls, because I can't really find a way to fit in.
The music business is filled with some nice people but a lot of strange people, so when you come across someone who's really genuine at an environment as bizarre as an awards show, you typically gravitate to them.
When I was growing up, it was a lot of punk and hardcore music going on in legion halls and firehouses, and we'd play those shows, and it was very Jersey. It was very suburban, and there's just a great pride there.
Glee is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
When you constantly revisit things, it's hard to know if you're freezing in time or if you're a brilliant adult who's working through it. I think about that in therapy, talking about the same things over and over again.
'Glee' is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
I don't ever want to do anything that's obvious, and I also want to find ways to do things that are extremely new and exciting and can make sense in bizarre ways. I always want things to make sense in really bizarre ways.
When you start writing songs on your own, there's no Bible, there's no one around you, so you're just writing, and you're left with, like, the dead space in your head to know if it's a good song or an interesting concept.
The best pop music is the songs that a group of people can dance to, but you can also listen to in your bed and cry. That's something obviously that The Beatles started and... so having that darkness there opens another door.
For better or for worse, I just have to be on tour for some portion of the year. But it's not easy, you know. It's not easy on the people you love, and I understand when people look at this life and say this isn't sustainable.
It's a really natural thing: The people closest in your life are the people you want the first opinions from. At the end of the day, if you're not trying to impress those people first, then I think there's something wrong there.
I feel like I missed a whole period of my childhood because I had a bunch of stressful things happen to me when I was like 17, 18, when people usually feel the most free in life, like going to college and like anything is possible.
It probably all started with The Beatles, and then I guess it goes out from there. Springsteen... Fleetwood Mac... I mean, that's all so inherent in us that when we're making records now, we take a lot from the artists who are around us.
The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
As straight Americans we have two choices: we can choose to sit back and enjoy our rights as we have them, or we can realize that it is actually not freedom at all when our friends, family, neighbors, and colleagues do not share these basic rights.
Of course, the majority of us would speak up in the face of outrageous bigotry, but do we speak up in a social situation when someone casually refers to something as 'gay'? If we don't, we are standing with the homophobes whom we are quietly fighting.
You have to look at the body of work you're doing and then figure out the best way for people to digest it. You want people to come in and listen to all of it and understand the entire project. I think it's bad when everyone's like, "This is how you have to do it."
I think that some of the most amazing places to be or to grow up are the places right outside of great cities, because you're sort of constantly in this suspended state of, like, looking inside the window, wanting to be in the party. I think it breeds good feelings.
Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.
The only people playing the roles of classic rock stars are hip-hop artists, now. Kanye's stage persona, and the way he approaches making albums, and the way he wants to be better than everyone else? That's reminiscent of Freddie Mercury. That's reminiscent of the Beatles.
The same way all the people I love factor in—my parents, my sister, my girlfriend [Lena Dunham], my best friend, all the people I love are always right there. I don't have a lot of people in my life, but there's a small group of people that I don't like to do things without.
My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
I've ended up on some website list or some other list for super right-wing people. They've been tweeting some pretty rude stuff at me, so I think there's a sect of America out there that doesn't like certain opinions and can really take their claws out when they don't like what you're saying.
Usually it seems like either you sacrifice something and a lot of people will pay attention, or you stay true to yourself and appeal to a smaller group of people, but now we've managed to do what we felt was the right thing to do in our heart and had it reach a wide audience. It feels very rare.
I think that everyone at any age should ask themselves, 'where do I want to be today, where do I want to be tomorrow, and where do I want to be in a hundred years?' We all have clear answers to those questions. We only have so much time. It's a real shame if we don't spend our lives trying to do that.
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
You get to a point where everything is so important. One day you have 'Letterman,' and the next day you're at the MTV Movie Awards, and the next day you have a sold-out show for over 15,000 people. You can't cancel anything, because it's just too much to let everyone down, which is an interesting thing about being in a bigger band.
Tinashe doing 'I Wanna Get Better' - it's a really personal song, and it was hard for me to imagine anyone else doing it, but stylistically her and I are so incredibly different that I was fascinated to hear what she'd do with it, and I completely loved it. It just felt like the different expression of a song that, to me, was so stamped in one way.