I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.

I'm always learning when I'm surrounded by great people. In every experience, I feel like I'm learning. I'm not like, "Oh good. I'm done! I don't have to learn anymore."

There we times when everybody in the house has the flu. You're cleaning up vomit and it's 2 in the morning, and you're wishing there was somebody else there to help you.

Boys in their twenties are a waste of time. They have nothing to offer conversationally; they're immature. I feel like I have a better shot with someone in his thirties.

We have a two-week rule. We're never apart for more two weeks. Just not being separated for Jurassic periods of time seems to help. And no children probably helps a lot.

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing.

As much as I would have loved to look like Jennifer Aniston in 'Friends,' that didn't happen. And I really tried! I hit that gym! I got a flatiron. But it didn't happen.

There's always an imbalance with actors and actresses in the industry. And I think because there are just fewer movies overall being made, it's that trickle down effect.

The egos in this industry are incredibly vulnerable and everybody's afraid to wipe out. So everybody plays it safe and everybody tells everybody else how great they are.

I come from television where I feel like I'm in people's living rooms every day so it's not crazy for me to think that like a ten year old would know, but, I don't know.

My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.

The main fear about growing old as an actor is not losing the looks. I never had any to speak of, and what I had I've still got, but losing the memory is another matter.

So much in life seems inflexible and unchangeable, and part of the joy of running and especially racing is the realization that improvement and progress can be achieved.

I get freaked out by pills. Everyone I know is always like, "I'm just going to take a Valium or an Ambien on the plane." But I can't do any of that stuff - it scares me.

You see the amount of bullying and negativity that goes on [social media] that is really, really intense, and I feel lucky that I came of age before all of that came on.

Collaboration is necessary for making great art. Everybody has a perspective on what they think or feel the material should ultimately look like when it hits the screen.

It's my motor, it's the thing that keeps me going and so when I have these auditions for these big movies, I can depend on myself because I've been working consistently.

The candid and honest and pure heartedness of children has strengthened my views that we are all equal and should be afforded the basic human rights that we all deserve.

You're not ethnic enough. You're not fat enough. You're not thin enough. You're not blond enough. You're not dark enough. You're not young enough. You're not old enough.

It's a very brave thing to fall in love. You have to be willing to trust somebody else with your whole being, and that's very difficult, really difficult and very brave.

I was a rhythmic and athletic gymnast for a little while. Then, when I quit gymnastics, I fell in love with yoga. So sometimes I think I'd like to open up a yoga studio.

The one thing that I realize - well, not the one thing, but it was a big thing - having in my head that I need to get healthier. It's been a very gradual process for me.

You just keep moving forward and doing what you do and hope that it resonates with people. And if it doesn't, you just keep moving on until you find a project that does.

There are fewer and fewer roles that I haven't done already, or archetypes that I haven't played, and to break out of that box, the most interesting stuff is television.

I maybe missed money in my childhood, but I didn't miss love, that's for sure. My dad wasn't there, but I can tell you not even once did I think I was missing something.

Love and faith are both a search, a process, it doesn't stay the same; it comes and goes. In some people, it's asleep for a long time and then it wakes up as it evolves.

Every actor has to move in a Terrence Malick film - that's the requirement. If you stop, he'll tell you, 'No, no, keep moving.' You can't be static. It's a choreography.

The most ethical way to deal with an unethical situation would be to simply say: 'We did something wrong.' But nobody in a family like mine would ever respond like this.

I have stepped off the relationship scene to come to terms with myself. I have spent most of my adult life being 'someone's girlfriend', and now I am happy being single.

For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough'... I can't tell you how wonderful it feels.

You hope you're saying the right things - but also, as a kid becomes a teenager, you feel like there's a ticking clock for you to tell them everything they need to know.

Ryan and I didn't grow up like this at all, with this much attention. We'll just try to keep their feet on the ground and raise them with the values we were raised with.

I love being onstage, I love getting applause, and I love the love that comes across the footlights. It's so much a part of what I do and what I've done most of my life.

I always did sing. It's always been something I love to do but it has also been the most private and most secret thing that you don't really want to let the world in on.

When I get stuck, I take a long walk outside or go to a movie. I get out of my own way so I can hear the quiet voices that hold all of the answers that connect the dots.

I have always had a deep connection with my faith, and I was fortunate to have been brought up in a Christian environment. My faith is a very important part of who I am.

I used to think that communing with nature was a healing, positive thing. Now, I think I'd like to commune with other things - like room service and temperature control.

I got, like, Diane Keaton's manager, and she was very connected; she had power. And she was like, "Your star is in tears on this comedy. Do you even notice that at all?"

It was nice to be reminded of how much hard work goes into movies, and how as a director, it's your job to acknowledge and channel that hard work. She's amazing at that.

When I was younger in the theater, I didn't really feel like I got much recognition from the powers that be. I got a lot of small roles - I never got the standout roles.

I'm not a fan of reality shows, but I am a fan of people who use their brains and skills and hard work to outsmart people, not to steal someone's man or get drunk on TV.

I'd like to think at some point instead of it being a woman's film or a man's film, it is just a great story, and both sexes can go and get the same enjoyment out of it.

There are occasions that I love to be fashionable and enjoy, you know? But the work day of a mother doesn't include a hair making team or any consideration of your shoe.

I am honored to continue the fight for equal economic opportunities, the right to choose, and an end to gender-based violence by serving as an ACLU Celebrity Ambassador.

As a person in the public eye, I have always felt that if I have the good fortune of being able to shed a spotlight on different causes that I feel passionately about...

My mom was always active. She was always an active voter, whether it was local, state, or federal elections. My mom would take us to polling locations when we were kids.

I had an art teacher who's the reason I got there in high school who encouraged me to go to Alabama. That's where she had gone and kept raving over their art department.

I think you get the most honest performances when an actor shows up to set with their lines memorized. That's a very important thing that a lot of people seem to forget.

Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.

I couldn't stop looking at the award when I received it. It was as if my whole career flashed in front of me, from beginning to the moment I was handed the Golden Globe.

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