When I decided to get married at 40, I couldn't find a dress with the modernity or sophistication I wanted. That's when I saw the opportunity for a wedding gown business.

Things that came before, people and things and experiences - that does mean something to me. It doesn't mean I don't embrace the new, but I don't forget the past, either.

I am always trying to find fabrics that are more friendly to the environment - working with Virgin Atlantic, they managed to research into this and find more eco fabrics.

I participated in the transformation of my era. I did it with clothes, which is surely less important than music, architecture, painting but whatever it's worth I did it.

What I like to wear, I do myself. I don't know how that sounds, but it's the truth. My life is so mixed with my profession that I don't know where I begin or my work ends.

My New Years Resolution is to find the calm in the chaos. Practicing yoga is one of the greatest gifts you can give yourself. It's where you connect mind, body and spirit.

It's the only thing I really enjoy - so fresh, even now that I'm doing the new sampling. I'm dying to go to the factory, which is like nobody's idea of fun. But it's mine.

I'd like to believe that the women who wear my clothes are not dressing for other people, that they're wearing what they like and what suits them. It's not a status thing.

Fashion is a tool... to compete in life outside the home. People like you better, without knowing why, because people always react well to a person they like the looks of.

People talk to me about celebrities all the time and which ones do I admire, and it's so hard because you can't tell who's doing it for themselves and who hired a stylist.

When you live in a city where you're always in and out of a car or a building, I feel it's... better to treat a heavier, tweedier sport coat almost as you would outerwear.

I don't see Dior as something that could become mine. I see it as a dialogue with the women who wear it. I want to stay connected to them rather than to an abstract brand.

My life has been a dream. If someone had to write a story about it, it would seem a little unreal. It's the kind of story I would read and say, 'Nah, that's not possible.'

My friends were like, "Oh, this weekend, we're going to go shopping." "Oh, this weekend I'm going to go to see the judo champion" ... you know. And I couldn't do anything.

When you design a collection, you have to start with what you love and what you believe in. Unless you do that, you can't stand behind it, so there's no point in doing it.

I think the success of any brand reboot is to acknowledge the heritage but to embrace and interpret it in a way that makes it relevant and wearable to the modern consumer.

I think personal style starts from within because it´s a philosophy and an attitude. If you´re honest and true to yourself, you will have the best sense of personal style.

Obama does look good, but he could look better. The most important thing for politicians is to keep their clothes really simple and make sure their clothing actually fits.

When I was 18, my mum gave me all the clothes she'd had made at the famous haute couture fashion label, House of Worth, in Paris. Of course, I eventually trashed them all.

I love sportswear in my own weird way. Fashion is such a personal journey for me. I'm much more of a girl that's a T-shirt, legging, layering kind of thing, and outerwear.

I adore the challenge of creating truly modern clothes, where a woman's personality and sense of self are revealed. I want people to see the dress, but focus on the woman.

I cannot pretend to do sculpture and make a woman the ridiculous pedestal of my pretensions. To render clothing poetic, yes--but one must preserve its dignity as clothing.

A singer can quit once he or she has made ten great songs; a director can finish once he or she has made five amazing films; a writer just needs to write three great books.

I use things that people want to hide in their heads. War, religion, sex; things we all think about, but don’t bring to the forefront. But I do and I force them to watch it

I came from a different world from other designers because I already had such a strong fan base that was interested in fashion. You have to give the little divas something.

I obviously don't feel under pressure to look young, because I have had no Botox or surgery. I don't judge people who choose to have it, but I don't want to erase who I am.

I always knew the woman I wanted to be-I knew I wanted to be a woman who was independent a woman who was in the driving seat, a woman who didn't need for the man to decide.

I love Thieves, it is therapeutic, if you're not feeling well. It has a very strong scent but is quite wonderful. I also use lavender. Peppermint, when my stomach is upset.

I'm not a fan of Donald Trump. To be perfectly honest, I don't think violence is the answer to anything and I think, hopefully, she [Hillary Clinton] will be our president.

At the beginning of my career, it was very hard to go up. Now, it's very hard to stay on top. You have to stay there, and I want to stay there so badly. I'm still standing.

I started to work with cotton fabrics. I used cotton because it's easy to work with, to wash, to take care of, to wear if it's warm or cold. It's great. That was the start.

I like women who have their own idea of life: the woman who is assured, comfortable with herself, strong inside, proud of herself - not in an arrogant way, not showing off.

People think I'm being stupid or false humble. It's not. I don't think I always fit in. Maybe it's a complex you get as someone who has always been fighting on the outside.

Chinese people have that superstitious fix - people always do feng shui when they are opening a shop; even the Hong Kong Shanghai Bank pays people to do feng shui for them.

Many women in their 40s make the mistake of wearing clothes that are too tight. Skimpy dresses and tight trousers can make you look older, so get the best fit you can find.

Because I stopped dieting already six months ago, and I think it's important to bring out a book like this and you are there a year later and say look, I'm still like this.

The minute you see a guy doing one of those Naomi Campbell catwalk-action kind of things, it falls apart. A lot of hips and the scissor walk? No! Men always need to be men.

My parents noticed my love for clothes and encouraged me to study design abroad. I decided to join the Fashion Institute of Technology in New York but never ended up there.

Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about.

As I started to buy cars, I didn't know that I was building a collection. I just wanted the cars I was dreaming about. Once you drive a good one, it is like having a fever.

The very, very first thing that I wanted was to make a living - be independent and have a job. It might have come later, that kind of reaction to the boringness of fashion.

I wanted the collection for Target to reinterpret all the must-haves of Stella McCartney for winter and to make my designs more accessible to a wider audience in Australia.

I don't know, maybe I'm overly paranoid that they're going to be spoiled, but I want to keep them going as kids for as long as I can. I want to keep them innocent and free.

Men shouldn’t try too hard, or think about what they wear too much. I like when there’s something about a look that throws it off a little – perfection is really imperfect.

I went to a fashion show, and this silver-haired guy was staring at me with these piercing water-blue eyes. It scared me because I absolutely saw and knew my entire future.

Wear a towel instead of a coat, it’s very chic. Or your husband’s boxer shorts with a belt, or something from your grandmother. It’s all about do-it-yourself at the moment.

When I first saw a picture of the crucifixion, I lost respect for my parents. I suddenly realised that this is what the adult world is like - full of cruelty and hypocrisy.

Fashion is a pay-to-play game; this is an industry. At a certain point, you must bridge a gap where you are supporting the reviewer, the publication, and that is very real.

I think a good designer can exist everywhere and anywhere and all the time. It's all about being good, and I think that our job basically is to make women and men look good.

I wanted to go out of fashion, to study medicine. I thought, you know, who needs fashion? How important is it if you wear a red dress and an orange jacket? It's not, really.

Share This Page