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Quotes by Film Composer of the Authors - Page 2
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Film has the potential of allowing me to explore my own ideas, which I find very attractive.
Marco Beltrami
/
Film Composer
Allowing
Attractive
Film
Ideas
Explore
Me Ideas Find
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You're going to fail a few times, because that is the only time you actually learn something.
Hans Zimmer
/
Film Composer
Failing
Only Time
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There's always a melody running around in my mind and my brain; and I'm really thankful for it.
John Debney
/
Film Composer
Running
Brain
Mind
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I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.
Steven Price
/
Film Composer
Space
Albums
Stuff
Expansive
Floyd
Pink
Pink Floyd
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It's not about what's a good or bad score at the Oscars, rather what's exposed to the ears more.
Alexandre Desplat
/
Film Composer
Ears
Exposed
Oscars
Good Bad More
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I liked 'The Darjeeling Limited' very much. There was a melancholy about that film that I liked.
Alexandre Desplat
/
Film Composer
Melancholy
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I worry about technical details - did I mix the cello half a decibel too high? Things like that.
Steven Price
/
Film Composer
Details
Half
Worry
Cello
Mix
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Every film is a human encounter. It's people trying to collaborate and create something together.
Alexandre Desplat
/
Film Composer
Encounter
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Well I think usually I would do six or even 10 scores a year. Some are big films and some are not.
Alexandre Desplat
/
Film Composer
Scores
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I had come from an orchestral background, but I didn't really have any orchestral pieces for film.
Marco Beltrami
/
Film Composer
Orchestral
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When a theme is beautiful, it's a pleasure to rearrange it or to interweave it with your own music.
Alexandre Desplat
/
Film Composer
Rearrange
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I just work 18 hours a day, every day. And I don't go on holidays. And so, I guess I will die young.
Alexandre Desplat
/
Film Composer
Holidays
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I'm not a script composer. I'm a film composer and my brain is excited by images and moving elements.
Alexandre Desplat
/
Film Composer
Images
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As the seconds of our lives are ticking away, you have to realize that life needs to be an adventure.
Hans Zimmer
/
Film Composer
Life
Adventure
Needs
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Godzilla' took two months because it required a two-hour-plus score. 'Imitation Game' was three weeks.
Alexandre Desplat
/
Film Composer
Godzilla
Imitation
Required
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Music for films allow a great deal of diversity and the more you widen your skills, the better you become.
Alexandre Desplat
/
Film Composer
Music Great Better
Great Deal
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I'm homeless, in a funny way. My culture I think is completely rooted in German 19th century music I suppose.
Hans Zimmer
/
Film Composer
Culture
Thinking
Way
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A lot of the music editing job is communication and working out what a director really wants the music to be.
Steven Price
/
Film Composer
Jobs
Communication
Editing
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I have to give credit to Giorgio Moroder ; among the first to make us realize the importance of music in film.
Hans Zimmer
/
Film Composer
Credit
Firsts
Giving
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As opposed to being on the Internet, there's something really nice about reading a book or talking to authors.
Hans Zimmer
/
Film Composer
Book
Nice
Reading
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To this day, I still travel with scores. Every time I'm on a plane - it could be Stravinsky or Mozart or Ravel.
Alexandre Desplat
/
Film Composer
Travel
Ravel
Stravinsky
Every Time
Mozart
Plane
Scores
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I never dreamed of writing for concert or opera. I always dreamed, if I was a composer, to write music for films.
Alexandre Desplat
/
Film Composer
Opera
Music Always Never
Concert
Dreamed
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What's unique about transportation is that it's the one function that repeats itself throughout the supply chain.
John Murphy
/
Film Composer
Chains
Function
Unique
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I don't really have a preferred genre. It's more up to the individual project itself and if I feel compelled by it.
Marco Beltrami
/
Film Composer
Compelled
Genre
Preferred
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Music can make you go from sadness to an immense sadness. There is a limit; if you go too far, it becomes schmaltzy.
Alexandre Desplat
/
Film Composer
Immense
Sadness
Limit
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I've spent my life trying to make things simpler. Because I find ultimately that complicated doesn't reach the heart.
Hans Zimmer
/
Film Composer
Complicated
Heart
Trying
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I get all my good ideas sort of at one o' clock in the morning, and I tried for a while to behave like normal people.
Hans Zimmer
/
Film Composer
Morning
Ideas
People
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I think the only thing that I really haven't done much in, and I haven't felt too attracted to, is romantic comedies.
Marco Beltrami
/
Film Composer
Comedies
Romantic Comedies
The Only Thing
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Trust me, if you're working on a $70 million movie and you're the last guy, you feel all that weight on your shoulders.
Hans Zimmer
/
Film Composer
Guy
Lasts
Weight
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I have to admit that I really don't care for horror movies all that much. I think mainly just because I'm a cheap scare.
Marco Beltrami
/
Film Composer
Horror
Scare
Admit
Cheap
Horror Movies
Mainly
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I always try not to overload my music with orchestration and to use only those instruments that are absolutely necessary.
Abel Korzeniowski
/
Film Composer
Instruments
Orchestration
Overload
Trying
Use
Absolutely
Music Always Try
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Never let your wife prevent you from buying equipment. A car will not buy a synthesizer, but a synthesizer can buy a car.
Hans Zimmer
/
Film Composer
Car
Buying
Wife
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You can only make a good noise on the guitar if you're committed. Little careful noise doesn't work. You have to be bold.
Hans Zimmer
/
Film Composer
Guitar
Littles
Noise
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If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.
Marco Beltrami
/
Film Composer
Score
Ruin
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When I was 13, when I was 14, when I was in England, yeah all I wanted to do was go and see The Who, go and see The Stones.
Hans Zimmer
/
Film Composer
England
Stones
Yeah
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'The Homesman' is my third collaboration with Tommy Lee Jones as director, and each time, I am aware of how fortunate I am.
Marco Beltrami
/
Film Composer
Collaboration
Fortunate
Each Time
Lee
Tommy
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There's a quality to the sound of a trumpet that you can really twist for any kind of sound and mood that you want to create.
Alexandre Desplat
/
Film Composer
Mood
Trumpet
Twist
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Every one of us has a response of some kind to music, so I don't think it's fair to ever judge what is proper and what's not.
Steven Price
/
Film Composer
Response
Proper
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My parents had a lot of movie soundtracks that they brought back from the States. So very early on I heard film music at home.
Alexandre Desplat
/
Film Composer
Film Music
Soundtracks
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'The Graduate' must be the best use of songs ever in a movie; it adds a layer to the movie you wouldn't ever get from a score.
Hans Zimmer
/
Film Composer
Score
Adds
Graduate
Layer
The Graduate
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Robert Townson at Varese is a huge fan of film music and has really done a lot to educate audiences about film music and scores.
Marco Beltrami
/
Film Composer
Film Music
Huge Fan
Robert
Scores
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Being a man of faith, what was so interesting to me was the subject, which started, by the way, with Anne Rice's wonderful books.
John Debney
/
Film Composer
Men
Book
Interesting
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I'm a flutist so I know what they can deliver in terms of texture and sound and blurriness and softness. It's a very soft instrument.
Alexandre Desplat
/
Film Composer
Softness
Texture
Deliver
Instrument
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You do movies because you love movies and you write music because you love writing music, and sometimes there's this magic combination.
Alexandre Desplat
/
Film Composer
Combination
Love Music Movies
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That's the main lesson I've learned from working in the theater: respect the dramaturgy. I don't want to overwhelm everything with music.
Alexandre Desplat
/
Film Composer
Lesson
Overwhelm
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Musicals are made of several climaxes that keep growing and growing; when you think it's over, it still continues growing up in plateaus.
Alexandre Desplat
/
Film Composer
Over It
Musicals
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I sort of enjoy being able to hear what other composers are doing and how they might score something differently than me. I enjoy that part.
Marco Beltrami
/
Film Composer
Able
Might
Score
Me Doing Something
Composers
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When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out.
Marco Beltrami
/
Film Composer
Sticks
Music Way More
Approaching
His Way
Instrument
Specific
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I've never had a real job in my life. I didn't learn anything, I was terrible at school. It was just this thing. Music was all I wanted to do.
Hans Zimmer
/
Film Composer
Jobs
Real
School
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'Snowpiercer' is a little bit more experimental, I think, and crafted for a slightly different audience. 'The Giver' is more about teen angst.
Marco Beltrami
/
Film Composer
Teen
Angst
Audience
Giver
Little Bit
Crafted
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