Quotes of All Topics . Occasions . Authors
When you're in a band that's so big when you're young, you kind of lose your identity a little bit. You just become part of the band. I just needed to get away from it.
Theres beauty everywhere. There are amazing things happening everywhere, you just have to be able to open your eyes and witness it. Some days, thats harder than others.
I'm a musician; I have to perform. I can't give up. I have to be even more courageous. We know that we have a lot of enemies. Not only in Iran. But that doesn't matter.
The social realism of ' Establishment Blues' or 'Like Janis,' are what I chose to use to express what was happening in the U.S. and what was happening to me personally.
I hope you get a message of love and to continue the love and continue the spirit that I'm trying to transmit to you in a righteous sense to be in one unity. Rastafari!
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.
I think it's beneficial to practice with a metronome or drum machine in order to strengthen your sense of time. It will help your concept of time and improve your feel.
I can tell for sure, the technologists have made it clear that they don't care about musicians. The arts have been sacrificed on the altar of technological advancement.
The greatest philosopher of all time was Dirty Harry. And if you remember, Dirty Harry took the words right out of my mouth: "A good man needs to know his limitations."
So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
Sometimes I'll sing the same verse through the entire song, because the other verses aren't clicking. And when they do come to me, I'm in the middle of that same verse!
I think that the needs in human life will change and grow and evolve. I do think that that the importance will always be grander than you would ever believe them to be.
I know how big Blink are and I know the legacy with it and everything, but Angels & Airwaves, to my heart and to the people who like it, this is the release of my life.
It's very easy to be cynical about the hall of fame. But on the other hand, it's really a beautiful thing for someone like me. I dedicated my entire life to this music.
Musically, 'Fallen' is a cross between 'Belus' and something new, inspired more by the debut album and 'Det Som Engang Var' than by 'Hvis Lyset Tar Oss' or 'Filosofem.'
Reggae music is simple music - but it's from the heart. Just as people need water to drink, people also need music. If it is true music, the people will be drawn to it.
I want the people who listen to my music to feel the feeling that I feel, to cry the cry that I cry - justice. I want them to feel in their hearts the need for justice.
I just take a tune and play it the only way I can. That's it. I don't really dwell on it very much. Some people probably do. I can only say I play it the way I feel it.
Sexism is deeply rooted in our history and society that waking up and stepping outside of it is like I'm watching 'Night of the Living Dead Part Two' all day, every day.
I definitely got to a point where I realize how unusual it is to be able to play large, sold-out shows 30 years into a rock and roll career. I don't take it for granted.
Everyone reaches their point in time where either they die or they get sick of doing drugs. It started getting debilitating. I enjoy my music a lot better than my drugs.
In the 70s, what thrash was there? Punk came on, and that was cool. But there was no thrash. There were dinosaur big bands, and that was great. Those were my influences.
There is always that one band that comes along when you are 14 or 15 years old that manages to hit you in just the right way and changes your whole perception of things.
I think everybody had difficulties with that dynamic, turning the family into a band and being constantly together. So everybody, as individuals. had things to sort out.
When we went into World War II, I was a tractor driver then. I drove tractors on the plantation. So when they start calling people my age, 18, up, I was one they called.
We play a hip-hop song and suddenly 25 people on the left jump up and put their hands in the air; then you play Lost Cause and they're like, I don't know about this one.
I know, deep down, that what makes my music what it is are my words. It always starts from me wanting to say something. Once I've run out of things to say, I'll be done.
The thing is: I was quite slow when I was younger. I might have been smart - I don't know - but I was slow talking to people. And as you can see, I don't talk very loud.
She smashes her knuckles into winter As autumn's wind fades into black She is the saint of all the sinners, the one whose fallen through the cracks... (iViva la Gloria!)
I started thinking that if post modernism is about people opening up all their skeletons, I'm going the other way. I don't want anyone knowing anything about me anymore.
It was shocking to see Nirvana play, because it was like, "Here's this little guy with a monster-guitar sound." And it was heavier than Black Sabbath. That was shocking.
Creativity has a lot to do with the main idea. Inspiration is what comes when you are dealing with the idea. But inspiration won't invite what's not there to begin with.
The biggest misconception about us is that we're just a rock band. We think our music is a cross-section of many genres; a hybrid of what the six of us have grown up on.
Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
It's weird, man. I've had a weird life, and I don't want to end up on the dole. I'm fed up with the plumbing. And I think it would be good to be a little pop star again.
Some of Eminem's rap songs kind of have the teenage love songs like the fifties love songs. It's kind of like domestic drama set to music. He is really good storyteller.
I was the only person I'd ever met who had a record contract. None of the E Street Band, as far as I know, had been on an airplane until Columbia sent us to Los Angeles.
The best part of touring, still, is touching people's hearts and igniting my band and igniting the people into what you call a spiritual revelation is sound and emotion.
I think short-term goals are important. Trying to set a missive for yourself for the entire year can be daunting, and it can feel too easy to fail or fall short of that.
When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes. It comes down to people's personalities and individual energies.
Being a mathematical genius doesn't do you any favors as far as having something to say in music. You see every style as equal, and you want complicated music to devour.
I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
You can really walk around a song and completely, if it's a good song, look at it from a lot of different angles. Johnny Cash with Rick Rubin illustrated that perfectly.
Seattle very much benefited from this geography where it was a town nobody had really heard of in terms of a music scene. So we had that factor of being a new discovery.
Seriously, if someone don't like this appetizer, you gotta grab they scruffy ass by the back of their neck and throw them out on the lawn. I can't help people like that.
You feel the weight of the world and you take things in and you are acting out from a place of being pushed and visceral. It's heavy. You can't be there all of the time.
I'd be lying to say I've not experienced a lot of racism in my life; it's very much alive. I don't let it bother me. I couldn't be the singer I am if I didn't let it go.